Word: boyness
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Dates: during 2000-2009
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...itemize these elements isn't to say they can't be powerful. Maybe all stories are just one story, with the common themes of love and loss, art and adventure, death and resurrection. These are the threads from which Astro Boy weaves its coherent imaginary world. The gravity of grief carries Tenma's character through the story; the robot Toby's need to prove himself to his dad and himself turns him into a superior being, the best of both species. Ham Egg, the exploiter of children down on earth, is a little bit Fagin, a little bit Stromboli from...
...purely reasoned critique of Astro Boy would note that it does not advance the art of animation, and that some of its humor stabs miss their mark. But Bowers knows how to infuse emotion without just ladling it out in Act III; it is at the core of the story, as Astro Toby teaches his father the verities of love, heroism and family feeling. The little robot has a strong, generous heart, and so does this movie...
...words or less. As the day wears on, however, it feels as though Dieckmann piles a whole life’s worth of unfortunate events into the few hours she has. Soon enough Eliza has had a minor breakdown, a confusing interaction with a sexy younger delivery boy, and an enormous fight with her best friend. She has also saved her child’s life over the phone. The situational humor in all this tends to fall flat, and the bleak accumulation of incident after incident comes close to reducing this movie to cautionary tale—the cinematic...
...year-old boy, Jakov Lind (who died in 2007) fled from the Nazi-occupied Vienna to Holland and survived the Holocaust by assuming a Dutch identity. After the war he moved around, living in Israel and returning to Vienna for a while, but finally settled in London. Lind began his literary career by publishing a collection of short stories “Soul of Wood” and continued to write in both German and English...
...groups to emerge from that movement, sweater-clad, skinny-white-boy duo Kings of Convenience—otherwise known as Erlend Øye and Eirik Glambek Bøe—have found the most commercial success. Critical acclaim up to this point has been well-deserved: their delicate guitar strumming, occasionally infused with piano, horns, and violin, channels the pared-down acoustics of Pink Moon-era Nick Drake and warm harmonizing of Simon & Garfunkel into gentle, unassumingly beautiful melodies. Øye, the Paul Simon of the pair, sings in a slightly accented baritone about girls he?...