Word: boys
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Dates: during 1980-1989
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Meanwhile, in another car in the priests' convoy, a young religious student was mistaken for Aristide, badly beaten and saved from execution only when the gang's leader approached, took the boy's face in his hand and then pushed him away. "That's not Aristide," he told his men. "Aristide doesn't have a beard." The priests escaped when their driver spotted a small opening in the barricade and plowed through it into the night...
...pale suit, the peripatetic Orsen recently settled in nearby Steubenville and found the local culture as difficult to crack as a Zen riddle. Someone suggested he read James Wright. And has this helped at all? "There's one poem about football -- when I saw that, I said to myself, boy, that explains a lot of what I'm working with," he answers...
...shows him honing his lyrics, teasing the word "motoring" into "motorvating" for Maybellene, finding inspiration for a verse of Brown Eyed Handsome Man from Sacher-Masoch's novel Venus in Furs, fretting that while in prison he cannot gain access to a map that would help him chart Po' Boy's itinerary in Promised Land. And once he got it right, he always wanted it to be the same kind of right. In Taylor Hackford's Hail! Hail! Rock 'n' Roll, which chronicles the preparation and performance of Berry's 60th-birthday concert in St. Louis last year, tempers simmer...
...indulgent author wants to forgive and embrace everyone. So he airbrushes the warts and sets any bedroom closet skeletons to dancing merrily. After all, the kids will be watching. He may also find that his fondness for vignettes ("Remember when Aunt Bea got squiffed and vamped the delivery boy?") undercuts the dramatic imperative to hold the anonymous viewer's attention. Private lives don't always play in public. Grandpa's % ripping yarn is a stranger's restless yawn...
...real boy soon found out. A director-daredevil in the grand British line of Michael Powell and David Lean, Boorman thinks there is still an empire, of traditions if not of global power, worth challenging and defending. Let smaller-souled men paint still lifes of kitchen sinks; Boorman is a muralist, with epic ambitions and a lust for impossible risks. He has spent his movie career navigating wild rivers (Deliverance) or cutting his way through jungles (The Emerald Forest), plunging into the mythic past (Excalibur) or the hallucinatory present (Exorcist II: The Heretic). Each film is an exploration...