Word: boys
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Dates: during 1980-1989
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Unfortunately, this naive instinct to probe mechanics becomes replaced by a jaded acceptance of its ubiquitous presence. An example of this appears in Bloom County, where Oliver Wendell Jones's Banana 2000 computer (which looks suspiciously like a Macintosh) strives to achieve simple respect, even from a young boy. While Oliver engages in computer pirating fantasies with the Banana, he feels no remorse in trashing his friend for a new model. Technology and young Oliver maintain a merely professional relationship...
...with the country, reflecting America's experiences in his music. When the Baline family fled the Russian pogroms in 1892 for the tenements of New York, young Israel was four. The Statue of Liberty was only a couple of years older. His father Moses, a cantor, died when the boy was eight, so he hit the streets in search of work. Izzy sang for pennies anywhere he could find listeners, finally landing a job as a singing waiter in a raffish Chinatown bistro; it was there that he wrote his first song, Marie from Sunny Italy, in partnership with...
...could match his output: more than 800 published songs and almost as many unpublished. Nor could they equal his business acumen. Fiercely protective of the copyrights to his songs, he helped establish the principle that every performance of a composer's work deserved a royalty. At the end, the boy from Cherry Street was worth millions...
...areas in Ridley Scott movies; the director of Blade Runner tosses color and atmosphere into every shot. The man has never photographed a dry sidewalk in his life; the tiles have got to glisten like Bakelite in heat. Neon glyphs snake around each lurid shop sign. An ominous bike boy threads his Suzuki around columns in a Japanese mall-cathedral...
...talking bureaucracy here. We are talking about a strangely imperturbable menace. Searching for his son, Ngubene is also arrested; father and boy are tortured and then murdered in prison. And because Du Toit continues to seek justice on their behalf, he is himself victimized by state terror that is the more frightening because of the bland face with which it covers its institutionalized psychopathy. Du Toit is subjected to steadily escalating harassment. Eventually he loses his job and his wife (Janet Suzman in a good, dour performance), and he must deal with the fact that his daughter is willing...