Word: boys
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...sits admired but mostly untouched in Doaker's house in Pittsburgh, and it threatens to tear the family apart again. Boy Willie Charles, son of the man who stole the piano, wants to sell it and use the proceeds to buy and farm the very land where his ancestors were slaves. Boy Willie's sister Berniece denounces as sacrilege the idea of selling away a legacy her father died to obtain...
...other major change since Yale is the recasting of Boy Willie with Charles S. Dutton, who gives a performance as energized as his Tony-nominated Broadway debut in Ma Rainey. Puffing his cheeks, waving his arms, hopping around like Jackie Gleason in a one-legged jig, the burly Dutton seems a rustic buffoon. But when conversation turns to conflict, his jaw tightens and the clowning stops. In Boy Willie, Dutton and Wilson achieve that rarity in literature, a truly common, ordinary man of heroic force...
...rest of the cast is equally fine, notably S. Epatha Merkerson as Berniece and Lou Myers as the dissolute uncle Wining Boy, who leads family members in musical interludes that include a haunting, African-influenced chant. Director Lloyd Richards needs to tinker with the ending, a sort of exorcism in which a sudden shift from farce to horror does not quite work. But already the musical instrument of the title is the most potent symbol in American drama since Laura Wingfield's glass menagerie...
...rioters; drop gravel on them from helicopters; fire tear gas, rubber bullets, plastic bullets. None of it has ended the uprising. And even some Likud members doubt the new measures will do better. "I don't think there is a lot of logic or common sense in shooting a boy when he's already finished throwing his stone and is running away," said Minister Without Portfolio Ehud Olmert...
...quickly one progresses these days from anonymity to notoriety to fame. And how perfectly Almodovar and his films are suited to this chic spotlight. He is a poor country boy made good: he came to Madrid at 17, fronted a rock band, wrote a porno photo-novel, and for a decade worked for the state phone company, where he wrote the scripts for his first two pictures. He had no fear of leaping from phones to films: "When I wanted to become a director, I became a director." And his films have all the exuberance of somebody who wants...