Word: boys
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Dates: during 2000-2009
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...based on is named Fiorello H. LaGuardia High School of Music & Art and the Perfoming Arts, but that's a mouthful). Because they are mostly unfamiliar faces we can't tell who is going to make it, and it's good fun trying to pick the winners - although the boy who shimmied his hips through "All That Jazz" was robbed. The school's motto, as delivered by Debbie Allen, in the role of Principal Simms - no word on what happened to Lydia Grant - is dedication to the craft. "We don't care about your head shot," she admonishes the incoming...
...motivated to consider revenge against Little not because of his brother’s death, but because of the emotional trauma caused by his mother, who blames him for Jim’s death. Since being released from prison, Little has found financial success as a sort of poster boy for reconciliation, helping inmates and former gang members come to terms with what they’ve done. Despite this, as the film progresses it becomes clear Little is as much of a victim as Joe Griffin. His guilt has prevented him from ever starting a family or developing...
...refreshing as they may be, such barbs are a rarity in diplomacy because they're potentially counterproductive. While France had at times previously sought to place itself in a mediating role between the U.S. and Middle East adversaries, Sarkozy's hard line has earned it a whipping-boy role as Tehran retaliates to international criticism...
...kindly boss, although he never lets Coco forget her place. When he attempts to send her away, she refuses. She's tenacious but never tender. Early in the movie, she makes the pronouncement that a "woman in love is like a begging dog" and she sticks to it, until Boy Capel (Alessandro Nivola, giving off the vibe of a young Daniel Day-Lewis) comes along. He introduces her to great books and the notion that she is exceptional. "You're elegant," he says, and with him, for what seems like the first time in the film, we see Tatou...
...phrasing is interesting in that it makes Chanel the woman sound like a good suit. Later, when Boy asks Etienne if he can "borrow" Coco for a few days, the way you'd ask for the loan of a sweater, our hearts sink for her. Any happiness she has seems likely to be fleeting, but he, like so much else in the film, is a provider of inspiration. His shirts, his pajamas, his own elegance will eventually be reflected in her clothing. They are emblems of him, but also hold pieces of her past; her simple life of poverty...