Word: bozo
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With one opponent in the powerhouse category and another in the bozo division, Harvard's icewomen knew they were headed for a second- or third-place finish at the four-team Princeton Tournament, played December...
...COURSE, Nicholson continues to make his share of bad movies--usually with friends--which are ineffective because he isn't dominant and can't set the proper tone. Don't see The Fortune, a forced, slapsticking situational comedy with buddy Warren Beatty, that has Jack looking like Bozo with a paper moustache, and lacks both slap and situation. Don't see The Missouri Breaks, done with next-door neighbor Marlon Brando, one of the most heralded flops to gallop across the silver screen. Nor Going South, with John Belushi, which features numerous shots of our hero's derriere, proving that...
...past few years Brooks has been making films: first a series of shorts for Saturday Night Live, then the theatrical features Real Life (1979) and Modern Romance, now in release. In his films he is not the Tonight Show Albert Brooks, putting bozo entertainers through a Cuisinart of irony; he is Albert Brooks dicing and slicing the comedy commodity named "Albert Brooks" - an earnest obsessive just this side of obnoxious. By comparison Woody Allen plays it safe: despite the misogyny and paranoid fatalism, his comic persona is essentially lovable. Brooks plays hardball, with himself as the wall. On S.N.L...
...short, no exhibition like this can ever be mounted again. Bozo's main work with the Musée Picasso is still before him. For Rubin, the MOMA show is the climax of a career; to have brought off, within three years, two exhibitions at such a level (the other being his Cézanne show in 1977) is in some measure to have altered the history of curatorship itself. Rubin, the Iron Chancellor of MOMA, has set new standards of detail and historical cogency within the museum, and the Picasso exhibit and its admirable catalogue reflect them at every point...
Rubin, 52, set to work with the future head of that museum, Dominique Bozo, 45. Beginning in late 1977, they whittled their huge exhibition of 940 works from the Spaniard's colossal output. The logistics of getting it to New York were daunting. They involved hundreds of millions of dollars in insurance (MOMA will not reveal exactly how much), the work of 30 couriers, and some 75 air shipments from different corners of the world. The cost of the exhibition was $2 million. Of the 152 lenders, among them 56 museums, only two sources balked. One was Picasso...