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William Silvert, São Brás de Alportel, Portugal One line really struck me - "Washington, which knows that the world remains a dangerous place ..." - and its implication that Europe doesn't know this. Washington didn't even know that the world beyond its borders existed before 9/11. Then it suddenly discovered terrorism and leaped into the lead in fighting this threat. And who happily signed on? Britain, which had been fighting the IRA for ages and who had seen U.S. support for terrorism dry up (some Irish pubs in the U.S. even had IRA collection boxes); Spain, whose...
...films, stars and directors with hits in their past can take disastrous oversteps. In 2009, reliable comedy stars such as Adam Sandler and Jack Black headlined fairly pricey pictures (Funny People, Year One) that went doggo; Sacha Baron Cohen tried to parlay his Borat success with the more acerbic Brüno, and what did the audience do? Pranked him. Ferrell's Land of the Lost cost $100 million to produce, and took in less than half that domestically...
...German Economy Minister, Rainer Brüderle, summed up the mood as he arrived at a cabinet meeting in Berlin on Wednesday: "The behavior of General Motors toward Germany is totally unacceptable. We won't let GM put us under any pressure." But at this point, can the German government or unions really do anything about it? Can they punish GM or at least make things difficult for the manufacturer? Will they be able to protect the 25,000 Germans employed by the company? (See the most exciting cars...
Couples' success was welcome news for Universal Pictures, which this summer suffered disaster after comedy disaster (Land of the Lost, Brüno, Funny People) and recently replaced its top two executives. "Movies always do business after the studio heads get fired," an insider told Nikki Finke at Deadline Hollywood, echoing film-biz folk wisdom and ignoring the flop opening of Disney's Surrogates the week after the company canned Dick Cook, its longtime production chief. (See the 100 best movies of all time...
...tightening around their necks and yours. In these scenes and another in a basement bar where the smallest wrong gesture cues a bloodbath, Tarantino shows how to achieve drama through whispers and forced smiles. The parallel plot of a budding romance between Shosanna and a German war hero (Daniel Brühl) has a similar trajectory - the pot simmers, then the lid blows off - and the same artful mix of subtlety and surprise. These vignettes work much better than the big set pieces, with the Nazis in the movie theater or the Basterds in the field. You needn't scalp...