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...other huge project, Polonoroeste, the government is trying to develop the sprawling western state of Rondonia. The program, backed by subsidies and built around a highway through the state called BR-364, was designed to relieve population pressures in southern Brazil. But Polonoroeste has made Rondonia the area where rain-forest destruction is most rapid, and the focal point of the fight to save the Amazon...

Author: /time Magazine | Title: Environment: Playing with Fire | 9/18/1989 | See Source »

...opened Splash Mountain, which may be the most high-tech, high-thrill, fastest, longest, tallest log-flume ride in the world. Two thousand passengers an hour can shriek through the swirling path down the watery mountain, at speeds of up to 40 m.p.h. Serenading them along the way are Br'er Rabbit, Br'er Bear and other characters from Disney's 1946 partly animated film Song of the South. Since Splash Mountain opened July 18, visitors have typically waited an hour and a half for the 10-min. ride...

Author: /time Magazine | Title: Living: Come On In, The Water's Fine! | 8/14/1989 | See Source »

More pixilation is on the way. At Disneyland, stonemasons are now building the facade for the $35 million Splash Mountain, in which passengers will ride replicas of hollowed-out logs down huge slides and through tableaus populated by 101 robotic characters like Br'er Rabbit from Disney's 1946 film Song of the South. "We can control how much the passengers get wet, depending on the time of year," Eisner points out mischievously...

Author: /time Magazine | Title: Do You Believe In Magic? | 4/25/1988 | See Source »

...bright spots amid the prevailing gloom. Tenor Siegfried Jerusalem (Siegmund) and American Soprano Jeannine Altmeyer (Sieglinde) made a hot-blooded pair of incestuous lovers in Die Walküre, and Baritone Hermann Becht's Alberich was powerfully sung. Hildegard Behrens unleashed her blazing, radiant soprano as Brünnhilde, the fallen Valkyrie whose ultimate sacrifice defeats Alberich's evil and purifies the world for the coming new order...

Author: /time Magazine | Title: Music: Warm Days for Wagner Knights | 8/8/1983 | See Source »

...production is not to degenerate into a series of pretty stage pictures. Characters must be sharply focused, their complex relationships made clear. They cannot be allowed to wander aimlessly across the stage, as Hall lets them do in Rheingold, or strike arbitrary, stylized postures: Wotan singing to Brünnhilde while lying flat on his back in Die Walküre, for example...

Author: /time Magazine | Title: Music: Warm Days for Wagner Knights | 8/8/1983 | See Source »

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