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...Brünhilde and Wotan without their winged helmets? Siegfried's funeral pyre just a dainty red glow offstage-plus a couple of puffs of smoke from the wings? Oldtimers at Bayreuth paled with shock last week as they watched Richard Wagner's grandsons streamlining grandfather...

Author: /time Magazine | Title: Music: Twilight of the Gods | 8/13/1951 | See Source »

...remainder of the three-week season, Bayreuth will be pure Wagner, with a good many newcomers among the performers. Unlike Furtwängler, neither of the Wagner conductors, Hans Knappertsbusch and Herbert von Karajan, has ever held the festival podium before. Among the new singers: Met Soprano Astrid Varnay (Brünhilde) and U.S. Bass-Baritone George London (Amfortas in Parsifal), who has been a postwar star of the Vienna State Opera (TIME...

Author: /time Magazine | Title: Music: Bayreuth Revived | 8/6/1951 | See Source »

...huge outdoor rallies, with the slogan Wir Sind Dock Brüder (despite everything, we are brothers), the pilgrims listened to sermons. The tone, on the surface, was nonpolitical. This was in keeping with German Protestantism's policy toward Communism: don't seek martyrdom; outwardly obey the authorities; maintain the church organization in the hope...

Author: /time Magazine | Title: GERMANY: Reunion In Berlin | 7/23/1951 | See Source »

Timeless Buffoon Durante had a superb foil in the Metropolitan Opera's strapping Wagnerian Soprano, Helen Traubel. From his first baffled exclamation at seeing her in Brünnhilde's armor ("Holy smoke, she's been drafted!"), through a passage from Die Walküre (in which Durante was a voiceless, baffled Siegmund), to his piteous attempts to pin a corsage on her coat of mail, Durante brilliantly played the role of a frustrated longhair...

Author: /time Magazine | Title: Radio: One-Man Show | 12/11/1950 | See Source »

Last week Munich saw the first comprehensive show of new German art since the war. Held in Hitler's onetime headquarters, the massive FÜhrerbauhaus, it contained not a single blond Balder, buxom BrÜnnhilde or veiled Valhalla of the sort Hitler had liked to see. There were few still lifes or portraits either, and surprisingly few bitter or tragic pictures such as George Grosz and Kathe Kollwitz had made between wars. Instead of all that, the best young German painters were doing abstractions, by the acre...

Author: /time Magazine | Title: Art: Modern in the Dark | 2/27/1950 | See Source »

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