Search Details

Word: br (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Bronxville, Mme Olive Fremstad at 63 had emerged to sell the glamorous trappings which represented her years of triumphs. She presided over the exhibit with all her oldtime manner, fingered with wistful pride the silver cape she had worn as Elsa, the shiny helmet that had been hers as Brünnhilde, the regal white train in which she had swept the stage as Isolde...

Author: /time Magazine | Title: Music: Memories of a Diva | 1/20/1936 | See Source »

...Toscanini's conducting a halt had to be called in rehearsal for the other singers to regain their repose. Critics still hold up the Fremstad Kundry as a model for that scraggly, wild-haired creature of the woods, who turns seductress for the second act. As the Walkure Brünnhilde she wore short, bushy hair, a cloak the color of the clouds, fairly flew about the stage. At a Götterdäm-merung performance she fell down a flight of steps backstage and broke her ankle. After it was tightly bound she went on singing Br...

Author: /time Magazine | Title: Music: Memories of a Diva | 1/20/1936 | See Source »

...fairness to Miss Ponselle, disgruntled critics would have done well to point to the fact that there have been few successful Carmens. The redoubtable Lilli Lehmann sang the role like a Brünnhilde. Adelina Patti was completely unsuited to it. Most effective impersonation was by fiery Emma Calvé, though purists fussed at her because she took liberties with the music. Farrar's popular Carmen lacked the finesse of many of her other roles. Mary Garden was not at her best in the part. Maria Jeritza failed to stand the test. Those who disliked Ponselle's performance...

Author: /time Magazine | Title: Music: New Carmen | 1/6/1936 | See Source »

Considering the fact that Marjorie Lawrence has been singing in opera for only three years and that it was her first attempt at Brünnhilde in German, her performance was one to command high praise. She lacked the grandeur of Frida Leider, the vocal powers of Kirsten Flagstad. But she conducted herself with more confidence and poise than do many of the singers who have had long experience on the Metropolitan stage. Her voice was uneven but at its best it was vibrantly warm, true in its top notes, rich when it was low. More than most...

Author: /time Magazine | Title: Music: Metropolitan's Week | 12/30/1935 | See Source »

With the exception of Marjorie Lawrence's Brünnhilde, the most impressive debut of the week was made by Swedish Gertrud Wettergren as Amneris in Aïda. Mme. Wettergren had received flaring advance publicity when she arrived in the U. S. month ago, asked two ship-news reporters to kick her "for luck" (TIME, Dec. 2). Her performance last week proved that she could rely on something sounder than luck. She is an accomplished, rich-voiced singer with a commanding stage presence and a fine flair for acting. As Amneris she was regal enough...

Author: /time Magazine | Title: Music: Metropolitan's Week | 12/30/1935 | See Source »

Previous | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | Next