Word: braced
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Dates: during 1970-1979
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censure, although this one combined high comedy with tragic potential. A modified 707 belonging to Lebanon's Middle East Airlines was 87 minutes out of Benghazi on its way to Beirut when a thin, popeyed, bushy-haired man in a green striped suit whipped a brace of pistols out of his belt, charged into the pilot's cabin and told Captain Adel Kawas: "I want to go to Israel...
Millhouse: A White Comedy. A brace of embarrassing Richard Nixon film clips, put together by Emile de Antonio, the man who did Point of Order, the fine documentary film of the McCarthy hearings. Although the Nixon appearances are amusing and sometimes hilarious, de Antonio fails to find a toehold on the personality of this slipperiest of politicians. The film becomes nothing more than a disconnected sequence of Nixon statements, and some of Antonio's forays--like cutting from a determined Nixon campaign speech directly to Pat O'Brien's famous "win one for the Gipper" speech in the Notre Dame...
Millhouse: A White Comedy. A brace of embarrassing Richard Nixon film clips, put together by Emile de Antonio, the man who did Point of Order, the fine documentary film of the McCarthy hearings. Although the Nixon appearances are amusing and sometimes hilarious, de Antonio fails to find a toehold on the personality of this slipperiest of politicians. The film becomes nothing more than a disconnected sequence of Nixon statements, and some of Antonio's forays--like cutting from a determined Nixon campaign speech directly to Pat O'Brien's famous "win one for the Gipper" speech in the Notre Dame...
Millhouse: A White Comedy. A brace of embarrassing Richard Nixon film clips, put together by Emile de Antonio, the man who did Point of Order, the fine documentary film of the McCarthy hearings. Although the Nixon appearances are amusing and sometimes hilarious, de Antonio fails to find a toehold on the personality of this slipperiest of politicians. The film becomes nothing more than a disconnected sequence of Nixon statements, and some of Antonio's forays--like cutting from a determined Nixon campaign speech directly to Pat O'Brien's famous "win one for the Gipper" speech in the Notre Dame...
...himself is reduced to a sort of easy domestic complexity, and good old Midlands ingenuity. Goldfinger succeeded precisely because it was so far-fetched. Live and Let Die forces Bond to stand on his own, and he's just not as interesting when he hasn't got a brace of devices for assistance...