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...combination of drives, feelings, ways of seeing, and ways of saying--it must be not simply worn, but used; that if he remained sober, the problem would become one of seeing the universe as truly as seeing himself--and working, digging, grappling, sweating to discover his own role." --Jacob Brackman '65, in The Art of Fine Words...

Author: By Andrew Multer, | Title: The Critic On Stage | 9/18/1978 | See Source »

When Jacob Brackman pecked out those words 13 years ago, he was already displaying the kind of talent as a writer that would carry him... well, wherever he wanted to go. And since he gave up his position as The Crimson's Features Editor and all-round star reviewer, he has done just that...

Author: By Andrew Multer, | Title: The Critic On Stage | 9/18/1978 | See Source »

...Anne J. Brackman '80, of Harvard Ecology Action, an undergraduate organization interested in environmental issues, reflects many students' beliefs when she says, "We don't really know what Harvard's energy policies are." adding that if a program does exist it is very difficult to find out about...

Author: By Susan H. Goldstein, | Title: The Great Chilled Water Bazaar Or Harvard's Energy Labyrinth | 1/12/1978 | See Source »

ATLANTIC CITY IN THE FALL is like a whore house on Sunday morning, the denuded neon playgrounds of merchandising America. It is the ghost town of the Penthouse pleasure seekers stinking with the excrements of honky-tonk commercialism. The King of Marvin Gardens, written by Jacob Brackman and directed by Bob Rafelson, tortures Atlantic City's dying glory into a monopoly game of cultural dimensions, the bankrupt dead-end of the American dream...

Author: By Emily Fisher, | Title: Marvin Gardens | 11/28/1972 | See Source »

Rafelson and Scenarist Brackman understand their two played-out heroes without ever condescending to them, although both writer and director are often guilty of using the same kind of tin-ear dialogue and trite image that David himself might employ in one of his tortuous monologues. One of Rafelson's most certain talents is a nearly preternatural instinct for working with actors, and Nicholson and Dern give consummate performances. In such diverse parts as the bemused attorney in Easy Rider, the laborer and fugitive musician in Five Easy Pieces, the tomcat of Carnal Knowledge, Nicholson has already displayed remarkable...

Author: /time Magazine | Title: Cinema: Winter Dreams | 10/30/1972 | See Source »

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