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Also smashed: countless windows and bric-a-brac, shattered by the continuous sonic boom that the plane created. One Air Force officer had predicted before the flight: "This ought to be good for an air speed of 1,300 m.p.h. and a ground speed of 13,000 broken windows...

Author: /time Magazine | Title: The City: The Age of Noise | 3/16/1962 | See Source »

Lady Bird Johnson now has something impressive: a twelve-room, French château-style house in Washington's Spring Valley section. Its previous owner, party-giving Perle Mesta, grandly dubbed it Les Ormes (The Elms), decorated it with all kinds of French furniture, tapestries and bric-a-brac. The Washington word was that Perle had been asking $200,000. The Johnsons paid something closer to $160,000, and Englished its name to The Elms. "Every time somebody calls it a château, I lose 50,000 votes back in Texas," sighed Lyndon...

Author: /time Magazine | Title: The Home: Ormes & the Man | 11/17/1961 | See Source »

...blame? Partly Cassel, mostly Director Philippe de Broca. As before, De Broca has cast Cassel as a sort of Don Juan in diapers. He plays the younger son in a cheery Charles Addams family that inhabits a large, sunny, 19th century cobweb littered with charming bits of bric-a-brac and squalling testimonials to the efficacy of the hero's family motto: "Fructify!" The family lives in a dream world all its own, posing for imaginary deathbed scenes of famous men. playing baroque quintets in the evening, avidly at all times hankering after news of the hero...

Author: /time Magazine | Title: Cinema: Messy Mnages | 8/18/1961 | See Source »

Showing traditional party loyalty while shifting the bric-a-brac in his office, Postmaster General Ed Day rescued the portraits of two distinguished Democratic predecessors. Franklin Roosevelt's Postmaster, James Farley, was restored to the wall of the Postmaster General's inner office after long banishment in the shadows of a reception room at the hands...

Author: /time Magazine | Title: Nation: Capital Notes: Mar. 31, 1961 | 3/31/1961 | See Source »

...even know how important he was.' " The Dadaists (among them Jean Arp, Marcel Duchamp and Max Ernst) took their name from a nonsense phrase, but thought they were making sense of a kind. In the disillusioned aftermath of World War I. Schwitters used the bric-a-brac of everyday life-fragments of newspapers, railroad maps, timetables, string, bottle caps, photographs-to assemble collages (see color) that were a twitting comment on bourgeois life and an already demolished world. To Schwitters a canceled imperial postage stamp represented the collapse of the Hohenzollerns. Schwitters' collages were not meant merely...

Author: /time Magazine | Title: Art: BIG DADA | 8/15/1960 | See Source »

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