Word: bradford
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Tullah made her way in the New World as an "interpretive classical dancer." In 1945 she was performing in a Buffalo nightclub. Edward Hanley, a modest man from Bradford, Pa., who had made a modest fortune out of the family brick business and natural gas, caught her act. He was smitten. Three years later they were married. He was then in his 50s and Tullah only 24 or so, but she did not mind. "I was his Madonna. I wanted a spiritual man because, since 13, I was pursued by physically minded men." Tullah learned to love...
...years Hanley kept the paintings in his hometown of Bradford, Pa. They decorated the walls of his unpretentious house, only a few yards from Bradford's East Main Street (also U.S. Route 219), until museum directors finally became aware of the excellence of the collection and asked to exhibit it. (Hanley also had a vast collection of books, gave some 40,000 volumes to the University of Arizona, another 45,000 to the University of Texas...
...Crivello '73 of Cabot Hall and Milwaukee, Wis., Rush W. Dozier Jr. '72 of Lowell House and Madisonville, Ky., William B. Hamilton '72 of Kirkland House and Geneva, Switz., Jovce Heard '73 of Comstock Hall and Lexington, Paul G. Kleinman '73 of Wigglesworth Hall and Peckskill. N. Y., Bradford B. Kopp '73 of Wigglesworth Hall and Cambridge, Melanie T. Mason '71 of North House and Savannah, Ga., and Evan W. Thomas '73 of Grays Hall and Huntington, N. Y., to the News Board; Charles F. Allan '72 of Adams House and Dallas, Texas, Jeffrey L. Baker '71 of Dunster House...
...Ritchie's films have been hailed by critics for his inventive style in fusing the emotional impact of fictional drama with the harsh realism that makes them feature documentaries. The script for his current cinematographic endeavor is now being written by Jean Claude van Itallic '58, based upon William Bradford Huie's book about the murders of three civil rights workers in Philadelphia, Mississippi...
...fellow avantgardists. Their styles are wildly individual, embracing Taylor's cougar-on-the-keys frenzy, Shepp's piercing shrieks and moans and Cherry's haunting cries. But what they have in common, and have passed on to followers like Saxophonist John Carter, Trumpeter Bobby Bradford and Saxophonist Roscoe Mitchell, is the sense of a total music that extends outward to the listener like an irresistible magnetic field...