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...able to shake off that oppressive Puritanism," the author, 73, recalls, "which wasn't only religious, it was secular." Novels like Gee's award-winning Plumb (1978), based on the life of his Presbyterian minister turned Communist grandfather James Chapple, continued that shaking-off. By the time writer-director Brad McGann got around to adapting Den three decades later, New Zealand had changed...

Author: /time Magazine | Title: Flirting with Fiction | 10/27/2004 | See Source »

...McGann toys just as nimbly with the novelist's narrative. "Brad made it his story," acknowledges Gee. Even still, "the bones of my story keep breaking through." These can still be traced through the melodramatic subplot of Paul's devout, disapproving brother (Colin Moy) and his repressed wife (Miranda Otto). But they find a fuller expression in the expanded use of the secret study of the film's title. It's this room, tucked behind the poison shed in an old orchard, where Celia and Paul can retreat into the world of books. But it's also where the sins...

Author: /time Magazine | Title: Flirting with Fiction | 10/27/2004 | See Source »

...Brad Bird felt that tug of loyalties in the '90s when, as a Disney-trained animator who had helped launch The Simpsons, he was trying to get backing for cartoon features he would direct. Except for The Iron Giant, a critically praised fable that didn't do Lion King business, "I was always getting my films on the runway, but I wasn't getting them off the ground," recalls Bird, sitting in the huge playpen that is Pixar headquarters in the San Francisco suburb of Emeryville. "And I wanted so bad to make movies. I also had a family that...

Author: /time Magazine | Title: Movies: All Too Superhuman | 10/25/2004 | See Source »

Computer-animated movies were still theoretical back in 1975, when Bird, now 48, and Lasseter, 47, met as freshmen at California Institute of the Arts. "Brad and I were in the first year of the character-animation program," recalls Lasseter, "and we bonded with our love of cartoons. At that time animation was thought of as something just for children. But Brad and I believed animation was for everybody. That's the way Walt Disney made his films. That's the way Chuck Jones made his cartoons...

Author: /time Magazine | Title: Movies: All Too Superhuman | 10/25/2004 | See Source »

...partnership with Huckabees, a chain of K-Mart-like stores, to throw some muscle behind his coalition to save a local wetland. Russell’s sly appropriation of American corporate-speak provide the best moments in the Huckabees script: therapy would be unbecoming for a corporate executive, so Brad rationalizes his sessions with “existential therapists” by insisting they are “pro-active and action-oriented.” While all of the characters in Huckabees seem primed to arc from ironic distance to grand, tragic catharsis, Jude Law alone provides the emotional...

Author: NO WRITER ATTRIBUTED | Title: Happening | 10/22/2004 | See Source »

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