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...were vetoed by Republican Governor Pete Wilson, who has also come out strongly against the ballot measure. Other opponents include law-enforcement agencies, drug-abuse programs, California's Democratic Senator Dianne Feinstein and White House drug czar Barry McCaffrey. "This proposition is not about medicine," charges Orange County Sheriff Brad Gates, co-chairman of Citizens for a Drug-Free California, the campaign opposing Prop 215. "It's about the legalization of marijuana...

Author: /time Magazine | Title: MARIJUANA: WHERE THERE'S SMOKE, THERE'S FIRE | 10/28/1996 | See Source »

...play kicks off with Brad addressing what seems to be an empty crib, declaring his plans to leave home with his new girlfriend in a last bid for independence. Immediately, the Who's Afraid of Virginia Woolf alarm begins to sound: Is there a dead baby behind this family's dysfunction? Naturally, there is--though this fact isn't fully revealed until the play's climax, it's obvious right from the beginning, and it makes for a pretty flimsy plot device, not to mention a derivative...

Author: By Adam Kirsch, | Title: Dead Babies, Geraldo and New Orleans | 10/24/1996 | See Source »

...quickly established that Brad's siblings are staggeringly mean, given to berating him in tandem with statements like: "If we put mamma in a home, she'll die, you know. And it'll be all your fault." But other than this single, salient feature, none of the characters are clearly drawn. We know that Scott's a jerk because he's a Christian minister, which in this context is shorthand for hypocritical bastard. He's also deserving of ridicule because he refuses to have premarital sex with his dishy girlfriend Candice (India Landigran), even though, oddly, he seems to live...

Author: By Adam Kirsch, | Title: Dead Babies, Geraldo and New Orleans | 10/24/1996 | See Source »

...Brad himself, he's a quivering mess, shrill and childish, but so oppressed that he's meant to be sympathetic. It's hard to tell how much of this affect is in the character, and how much in Farnsworth's performance; suffice it to say that the first reference to Brad as being out of graduate school comes across totally incongruous, since up to that point he has seemed to be about 16. Everyone is so unpleasant that the play becomes painful; it's like watching twougly five-year-olds kicking a puppy...

Author: By Adam Kirsch, | Title: Dead Babies, Geraldo and New Orleans | 10/24/1996 | See Source »

...Rust" alternates between scenes of sheer cruelty and a type of low comedy, provided mostly by the shrieking, dull neighbor Miss Nancy (Tegan Willever), and a few familiar jokes about shouting in libraries and Geraldo Rivera. In the end, after his escape collapses just as his siblings have predicted, Brad comes close to a moral moment of truth--should he kill his mother, for all their sakes?--and Farnsworth does a good job in this scene, alternately stricken and hopeful. But the tension of the moment is dissipated in a ghostly flashback, which takes us back to the months before...

Author: By Adam Kirsch, | Title: Dead Babies, Geraldo and New Orleans | 10/24/1996 | See Source »

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