Word: braffã
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Dates: during 2004-2004
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...York’s veteran auteur Woody Allen can hardly get away with that trick very well, at least lately, and when you bear more resemblance to Woody Allen than Keanu Reeves, with about as much chutzpah as the latter, it’s a mammoth challenge. Not that Braff??s character, Andrew Largeman, requires anything resembling chutzpah: He plays a medicated, reluctant Jew, an aspiring actor returning home for his mother’s funeral. But if his style were any remoter, Braff could almost dissolve into the background of his strangely familiar, familiarly strange scenery...
...writer Braff??s surreal mix of dark and occasionally cheeky humor with generation-lost profundity is perfect for setting the scene, a mood that often feels more real than that of most still-coming-of-age films. And, while Braff the actor manages to justify and even enrich his numb character the more he weaves his way through a maze of “how old are we” house parties, fluorescent-lighting and tentative moments with a new girl, Sam (Natalie Portman ’03), there’s something awkward that still shouldn?...
...established in The Graduate’s Benjamin by the time Wes Anderson pulled it off with Rushmore’s Max, and maybe taken in a new direction by Donnie Darko. Surely there’s no troubled, learning-to-grow-up mold, but in the writing Braff??s protagonist isn’t fully mature...