Word: braggadocios
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...lung infection, he insisted with true Bergeracquian heroism on playing anyway. His performance certainly did not suffer, except for an occasionally gravelly voice. Morse can summon the panache, the spirit of bravura that the role requires. He becomes in turn all the things that make up Cyrano's character--braggadocio, courageous soldier, learned wit, testy quarreler, gallant lover, poetic lyricist, resigned indigent, noble altruist and pathetic but proud moribund. He gets a lot of variety out of his famous Nose Speech; and he correctly performs his Moon Travel Scene with a foreign accent. His Cyrano is first-rate acting...
...flag still flying outside public schools alongside the Stars & Stripes, the French embassy still standing at the old Lone Star capital of Austin. They were even more startled by some of the tall tales Texans told until they realized that it was just gasconnade (as Frenchmen call the braggadocio of their own "Texans" of Gascony). In Crystal City, Texas, the world's self-styled spinach capital, the Gossets found a statue of Popeye in the public square...
...versatility. The woman must be a tearful maniac in one scene, a persecuted saint in another. The husband moves from cowardice to stoicism, but it is the bandit who really presents a gem of an acting performance. In his own version, especially, he is a cunning beast; oozing with braggadocio. Only half-clothed, his grimy torso shimmers with sweat as he embraces the woman with iron arms and presses his face to her fainting body. In all of his scenes, the bandit in his earthy way makes Rashomon a brilliant dramatic performance...
Comedy becomes slapstick, courage becomes arrant braggadocio, and even the celebrated nose assumes absurd proportions under Ferrer's touch. He forgets that the one extreme about which Cyrano's character revolves is that of unswerving devotion to a personal code of honor. By removing this one characteristic of universal appeal from Cyrano, Ferrer has also taken away the element of audience self-identification, perhaps the most important aspect of the play. This is not to say that Ferrer's acting is not often superb. It is. In the balcony and convent scenes, he extracts the utmost from Rostand's brilliant...
...comedy routines dating back to Mack Sennett and before. Hope is still the fumbling poltroon, this time a ham actor who masquerades as a gentleman's gentleman in England, then becomes a real valet masquerading in the Wild West as a British earl. He caricatures snobbery and braggadocio, unfailingly spills tea trays all over an English hostess, unwittingly courts death at the hands of a cowboy villain (Bruce Cabot) and becomes the prey of a pack of mongrels drafted for a sagebrush foxhunt...