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For 25 years, Eugene Ormandy and the Philadelphia recorded exclusively for Columbia Records. Last May, when the orchestra's contract came up for renewal, RCA, which had recorded it from 1917 to 1943, grabbed the ensemble off by outbidding Columbia. Even though RCA now has exclusive rights to the...

Author: /time Magazine | Title: Recordings: High Cost of Gold | 4/25/1969 | See Source »

For all too many violinists, success means polishing the personal image and sticking to proven works from the standard repertory. Even his best friends admit that Violinist Paul Zukofsky does not have much of a personal image. He is a sad-eyed, dour, defensive loner who will run from a...

Author: /time Magazine | Title: Violinists: Amid Scrapes and Squeaks | 3/7/1969 | See Source »

The group's "bread and butter," as Alexander Schneider put it, was the complete cycle of Beethoven's 16 quartets and the Grosse Fuge, which it performed almost every year. It also recorded the cycle three times-once in the 78-r.p.m. era, a second time in the...

Author: /time Magazine | Title: Chamber Music: Farewell to the Budapest | 1/10/1969 | See Source »

Gustav Mahler (1860-1911), one of the most popular conductors of his day, saw to it that his Faustian symphonies and yearning song cycles were performed as often as possible. But he knew as well as anyone that his music was way ahead of its day. "My time will come...

Author: /time Magazine | Title: Television: Dec. 27, 1968 | 12/27/1968 | See Source »

Certain composers such as Mozart, Beethoven, Brahms, and Dvorak possess an unerring inner discrimination for the wind timbres and persuasion, while many other composers simply pay obligatory homage to the noisemakers with passages of stark, inhumane cacophony for the brass, or limpid, precious colorings for the woodwind. With such works...

Author: By Chris Rochester, | Title: Wind Ensemble | 12/19/1968 | See Source »

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