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Often chided for a lack of innovation in his music, Britten has wisely scorned the sterile world of experimentation for its own sake. With the maturation of his talents has come a taste for "the slender sound of, say, Mozart or Verdi or Mahler." An early enthusiasm for Beethoven is...

Author: /time Magazine | Title: Composers: In the Call of the Cuckoo | 12/20/1963 | See Source »

During his nine years as leader of the Buffalo Philharmonic, Krips won a wide reputation as an espe cially authoritative spokesman for Beethoven, Mozart and Brahms, but he is more concerned with his approach to the whole repertoire than with mastering any special part of it. "We must apply the...

Author: /time Magazine | Title: Orchestras: The Perfect Doctor | 12/13/1963 | See Source »

Schumann. Spanische Liebeslieder (Columbia). These love songs are about as Spanish as wiener schnitzel, but romantic nonetheless. Published posthumously, the five solos, two duets and final quartet of Schumann's second Spanish-cycle are recorded for the first time. The two-piano team of Arthur Gold and Robert Fizdale...

Author: /time Magazine | Title: Time Listings: Aug. 23, 1963 | 8/23/1963 | See Source »

The L-Shaped Room. The plot is frayed from use and old age, the characters are mostly Characters, and the sound track turns on a spigot marked Brahms to cue every tender moment. But L-Shaped Room shrugs off these shortcomings to become a beautiful and refreshing film. Part of...

Author: /time Magazine | Title: Cinema: Unwed Dignity | 6/7/1963 | See Source »

Although the burghers of Nijmegen resented the all-German audience (most of the tickets were sold in Germany and only 60 Nijmegeners got in, on tickets made available at the last moment), the recital was a tremendous success with the visitors. The critics agreed that Rubinstein's playing was...

Author: /time Magazine | Title: Pianists: A Conspiracy of Conscience | 5/3/1963 | See Source »

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