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Voodoo & Vulnerability. Mauldin packs a wallop that can be absorbed in seconds-and seconds, as he well knows, are all his work will get from the Post-Dispatch's readers (circ. 406,947) and the other 10 million in his 99-newspaper syndication. He understands even better-as many...

Author: /time Magazine | Title: The Press: Hit It If It's Big | 7/21/1961 | See Source »

* At the Busch-Reisinger Museum garden, the schedule of recorded music at 1 p.m. daily, next Monday through Friday, is Handel's Royal fireworks Music, Beethoven's Quartet no. 8, Debussey's Nocturnes (work related to art); Granados' Goyescas (also related to art), Brahms' Two Quintets, and Mozart's Piano...

Author: NO WRITER ATTRIBUTED | Title: Summer Notes | 7/13/1961 | See Source »

* The program of recorded music next Monday through Friday at the Busch-Reisinger Museum garden will be Beethoven, Quartet no. 7; Brahms, Clarinet Quintet; Debussy, Images pour orchestre (work related to art); Carter, The Minotaur; Mozart, Concerto for two pianos no. 1; and Mozart, Divertimento no. 17.

Author: NO WRITER ATTRIBUTED | Title: Summer Notes | 7/6/1961 | See Source »

Goodbye Again is the film version of Françoise Sagan's novel, Aimez-Vous Brahms. In it, Montand is required to pretend that he is a middle-aged trucking executive who, after five years as Ingrid's lover, prefers to spend his time with younger models. Ingrid...

Author: /time Magazine | Title: Cinema: Aimez-Vous Maxim's? | 6/30/1961 | See Source »

Even in his apprentice, Vandeleur Lee days, Shaw was far ahead of the informed opinion of his time. He was an early booster of Wagner, regarded Mozart as the greatest of composers at a time when he was not sufficiently appreciated, insisted that Bach's music belonged not to...

Author: /time Magazine | Title: Music: The Stockbrokers' Critic | 6/23/1961 | See Source »

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