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The Brahms Trio bears certain resemblances to the Beethoven work. It opens with a soft piano solo. The working out of the Scherzo is similar. The theme of the slow movement is again presented by the solo piano in alternation with the strings; and it is another example of a...

Author: By Caldwell Titcomb, | Title: Hamden Trio's Beethoven, Brahms Constitute Excellent Music-Making | 7/16/1959 | See Source »

Brahms thought highly enough of this early trio to rework it into a new version toward the end of his life. It shows a mastery of form and material worthy of Beethoven. But it is by no means an imitative or "student" work. Brahms was a mature and consummate composer...

Author: By Caldwell Titcomb, | Title: Hamden Trio's Beethoven, Brahms Constitute Excellent Music-Making | 7/16/1959 | See Source »

There is plenty that is pure Brahms in this work, such as the perfect balance between the Romantic material and its Classical treatment; the special textures and spacings in the scoring; and the frequent rhythmical and metrical subtleties. And idea after idea is characterized by what the Germans call "Schwung...

Author: By Caldwell Titcomb, | Title: Hamden Trio's Beethoven, Brahms Constitute Excellent Music-Making | 7/16/1959 | See Source »

But it was the supreme quality of the Beethoven and Brahms works, and the superb artistry with which they were performed that affected one so deeply. A final tribute is that, inordinately difficult as both works are, these artists played with such apparent effortlessness that one left with the glowing...

Author: By Caldwell Titcomb, | Title: Hamden Trio's Beethoven, Brahms Constitute Excellent Music-Making | 7/16/1959 | See Source »

She will open her program with four works by Bach. These will be followed by The Fugue in A flat Minor, by Brahms, Schonster Herr Jesu, by Schroeder, and The Chromatic Study on the Name of Bach, by Piston.

Author: NO WRITER ATTRIBUTED | Title: Pardue to Give Organ Concert | 7/16/1959 | See Source »

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