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The next song, a slight ballad by Friedrich Rueckert (the same one who made Mahler's masterpiece possible), was the evening's first jewel. As an astute listener remarked, "Dass sie hier gewesen" (That she was here) was ravishing because Goode wove in Upshaw's calm melody among a gently...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

After justifiably extensive applause, Upshaw left the stage to Goode, who performed the four short pieces of Brahms' Op. 119, three intermezzi and a rhapsody. The first of the set, the intermezzo in B minor, is the thing of devastating beauty. Though Goode's tempi were excessively free, his princely...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

The second half of the concert opened with the only overtly familiar piece of the evening, Schumann's Arabeske, Op. 18. Goode, who has such a feel for all things grand and Beethovenian, seemed an unlikely choice to perform a piece written for young, dainty pianists, but the delicacy of...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

After a standing ovation, the dazed crowd was treated to three encores. Two, the Schumann "Erists's" (It is He) from his Song album for the Young, and the Schubert "Rastlose Liebe" (Restless Love), were given, in Upshaw's words, "to urge spring along." The third, the Brahms lullaby, was...

Author: By Matthew A. Carter, | Title: A Spring Night's Dream of a Concert | 5/16/1997 | See Source »

Jared Lamenzo '97, director of the Harvard Sunday Jazz Band, also performed with the Harvard-Radcliffe Organ Society in a Saturday afternoon Brahms anniversary recital at Adolphus Busch Hall.

Author: By Murad S. Hussain, | Title: Arts First Celebrations Draw Crowds | 5/5/1997 | See Source »

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