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Haitink, who had been conductor of the Concertgebouw Orchestra in Amsterdam for more than twenty years, led the BSO in a performance of the Prelude to the First Act of Wagner's Die Meistersinger von Nurnburg, the Sibelius Violin Concerto, and Brahms' First Symphony. Kremer joined the orchestra as soloist...

Author: By Daniel Altman, | Title: Timid BSO Tantalizes at Tanglewood | 9/22/1994 | See Source »

The Brahms piece

Author: By Daniel Altman, | Title: Timid BSO Tantalizes at Tanglewood | 9/22/1994 | See Source »

began with an indication of the circular evolution of musical audiences. In the halls of the eighteenth century, which catered to aristocrats whose particular interest was not necessarily the music, there was no sense in a conductor or concert master waiting for silence: the orchestra simply played--preferably loudly at...

Author: By Daniel Altman, | Title: Timid BSO Tantalizes at Tanglewood | 9/22/1994 | See Source »

I must admit to a certain bias coming to this recording, considering that I intensely disliked an earlier reading of the Brahms Piano Quartets by this same group. In particular, Isaac Stern is showing his age. As a violinist already infamous for his questionable intonation and tone quality, he dooms...

Author: By Brian D. Koh, | Title: Yo-Yo and Rest Are Natural Soloists | 8/12/1994 | See Source »

Stern and Laredo did seem to lose it in the final movements, but I had mostly given up by then. Another peculiarity that this recording shared with the Brahms release was the neartotal absence of the higher registers. As usual, Stern simply failed to get appreciable resonance from his instrument...

Author: By Brian D. Koh, | Title: Yo-Yo and Rest Are Natural Soloists | 8/12/1994 | See Source »

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