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Walsh, 32, came to TIME from the San Francisco Examiner, where he was music critic for 3½ years and won a 1980 ASCAP-Deems Taylor Award for distinguished music criticism. A 1971 graduate of the Eastman School of Music in Rochester, N.Y., where he studied composition and musicology, Walsh...

Author: /time Magazine | Title: A Letter From The Publisher: Dec. 21, 1981 | 12/21/1981 | See Source »

The paradox of Hans Werner Henze extends from his life to his art. A member of the progressive Darmstadt circle of composers after World War II, Henze broke decisively with the avant-garde in the mid-'50s and today sneers at the "utter boredom" of doctrinaire serialism. For all...

Author: /time Magazine | Title: Music: Marxist Art, Capitalist Style | 12/7/1981 | See Source »

The two eloquent symphonies of Sir Edward Elgar, for example, are works whose depth of expression rivals Brahms' more famous essays in the form. Ralph Vaughan Williams' Fantasia on a Theme by Thomas Tallis, the finest string-orchestra piece of the century, reaches back for inspiration to the...

Author: /time Magazine | Title: Music: Comeback by a Poor Relation | 11/23/1981 | See Source »

In the U.S., despite the popularity of a few pieces, British music has never been a vital part of the orchestral scene. One reason: music directors of U.S. orchestras tend to be European born and steeped in the Continental tradition that calls for plenty of the Beethoven and Brahms symphonies...

Author: /time Magazine | Title: Music: Comeback by a Poor Relation | 11/23/1981 | See Source »

Violin and Piano Duo--Leslie Silverfire and Phillip Oliver; music of Brahms, Mozart, Bach and Ravel; Leverett JCR, 3 p.m.

Author: By Nevin I. Shalit, CRIMSON | Title: Nov. 19 -25 | 11/19/1981 | See Source »

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