Word: brams
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Francis Ford Coppola, Branagh's co-producer, apparently sought to create a lush, accessible 'literary' film in the style of his "Bram Stoker's Dracula." Yet both men would have done well to examine Branagh's own Henry V and Dead Again--films that seek to tell a compelling story well rather than to make a pretty film, and hence succeed at both...
...important. "They don't see themselves as gamblers," says Steve Wynn of the new tourists he is attracting. "They think of themselves as folks who are on vacation, and while they are there -- hey, let's put some money in the slot machine." Wynn hired screenwriter Jim Hart (Hook, Bram Stoker's Dracula) to write a one-hour family-adventure TV movie (NBC, Jan. 23) set at Treasure Island, and while Hart says the movie reaffirms family values and he flew his children out during production, he understands the place has an intrinsically dark edge. "You can come...
...Eliot House production of Dracula is so cliche-ridden one might almost believe it to be intentionally ridiculous, were it not for the earnest seriousness of the actors. This version of the Dracula story only loosely follows the events chronicled in the Bram Stoker novel. Rather, it is a hodgepodge of every vampire tale and succeeds at none...
Wilson, avant-garde theater person that he is, has done some pretty odd work himself. And Waits, respected musician that he is, has over the years branched out into acting (the lunatic in Bram Stoker's "Dracula," Lily Tomlin's husband in "Short Cuts," and lots of roles in assorted Jim Jarmusch movies) and soundtracking (again with Jarmusch, most recently composing the music for "Night On Earth"), but he has never attempted anything on this scale. So, whatta we got...Tom Waits collaborating with Wilson and writing music for a German orchestra...throw in William S. Burroughs singing...
...Victorian seminar centered around the significance and roots of Dracula, beginning with Bram Stoker's 1890s novel and continuing through Todd Browning's 1930s film creation...