Search Details

Word: brancusi (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Amsterdam's Stedelijk Museum. The affable American's Circus of 1926 was an adult toy, perhaps, but his wind-and motor-driven mobiles that followed in the '30s became the first recognized aerial expressions of art in motion. Giacometti's Suspended Ball of 1931, Brancusi's Fish on a rotating pedestal of 1926, Thomas Wilfred's lumias of the 1930s with swimming projections of colored light-all these were what Watt's apocryphal teakettle was to the steam turbine...

Author: /time Magazine | Title: Styles: The Movement Movement | 1/28/1966 | See Source »

...swiftly time has flown since he first arrived, a bedazzled Russian Jew, to greet Paris a full half-century ago. Of the pre-World War I luminaries that were then his contemporaries-the Frenchmen Braque, Matisse, Léger, Rouault, Delaunay, Villon, the Spaniard Juan Gris, the Rumanian Sculptor Brancusi, the Italian Modigliani, the Russians Kandinsky and Soutine-only Picasso, now 83, remains of those who gave the School of Paris its start. Of the two principal survivors, Picasso is the most protean and cerebral, Chagall the most constant champion of the heart...

Author: /time Magazine | Title: Painting: Midsummer Night's Dreamer | 7/30/1965 | See Source »

...years had been spent mostly in London; his works were rarely shown outside that city. Yet his reputation flourished underground, especially among young sculptors. Ossip Zadkine hailed Gaudier as "one of the men who really invented something in sculpture." British Sculptor Henry Moore names Gaudier, along with Epstein and Brancusi, as among his formative influences: "He made me feel certain that in seeking to create along paths other than those of traditional sculpture, it was possible to achieve beauty, since he had succeeded." Thus it was that an anonymous British collector, eager that the French should know Gaudier...

Author: /time Magazine | Title: Sculpture: An Illustrious Unknown | 7/23/1965 | See Source »

...Great Britain has become a hotbed of new sculptors, with three museum shows in London currently devoted to their renaissance. Miraculous as the new flowering appears, the sculpture bloom began in the 1930s, when British artists found the seeds for their ideas on the Continent from such sources as Brancusi, Archipenko and Picasso, repotted their findings in good English earth, and began producing a hardy native growth...

Author: /time Magazine | Title: Sculpture: Intellectuals Without Trauma | 3/12/1965 | See Source »

...JEREMY ANDERSON, 43, is a San Francisco sculptor who prefers working in natural-finished wood. He painted the upper reaches of his attenuated Composite Mythology green to harmonize its grain. Hardly shocking when compared with Brancusi, the slender shape looks at once like ephemeral femurs knocking on a knee joint and a pinch-waisted dancer on toe point...

Author: /time Magazine | Title: Sculpture: Era of the Object | 12/11/1964 | See Source »

Previous | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | Next