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Author: /time Magazine | Title: Into the Wild | 3/19/2008 | See Source »

...seeing new ways for art to be art, while at the same time insulting that audience with attention-grabbing laziness and insouciance. They socialized and threw parties, and helped the rich collectors who were intrigued by them to choose the right works by the right established figures - Matisse, Picasso, Brancusi and so on - to improve their collections. But they pretended they couldn't be bothered to compete with such masters...

Author: /time Magazine | Title: Marcel Duchamp: Anything Goes | 2/27/2008 | See Source »

...together? In a rare collaboration with the Louvre, the Pompidou Center's National Museum of Modern Art is hosting "Tête À? Tête," an exhibition dedicated to all facets of the human head. By juxtaposing works like a Cycladic marble (ca. 3,000 B.C.) and Constantin Brancusi's stylized bronze Sleeping Muse (1910), pictured, the exhibit, which runs through Sept. 4, invites visitors to consider the head as the birthplace of thought, emotion and identity. Dominating the exhibit foyer is a giant sculpture, Cosmos (2001), by contemporary French artist Boris Achour. Made of dyed resin, the cartoonish...

Author: /time Magazine | Title: A Heady Experience | 5/15/2006 | See Source »

...Louvre, the Pompidou Center's National Museum of [an error occurred while processing this directive] Modern Art is hosting Tête à Tête, an exhibition dedicated to all facets of the human head. By juxtaposing works like a Cycladic marble (ca. 3,000 B.C.) and Constantin Brancusi's stylized bronze Sleeping Muse (1910), the exhibit, which runs through Sept. 4, invites visitors to consider the head as the birthplace of thought, emotion and identity...

Author: /time Magazine | Title: A Heady Experience | 5/9/2006 | See Source »

...emblems of things that are plated, spiky, slippery, streamlined or aggressive--crab claws, antlers, lobster carapace, or even the tail of a catfish. In making them, their armorers came up with shapes so breathtakingly elegant in their severe reduction of nature that they would have no Western parallel until Brancusi. The most extreme are probably those meant to suggest, in a notched and folded cliff of black lacquer rising from the brow, a landscape, specifically Ichi-no-tani Canyon, the site of a famous battle in the 12th century. And there are helmets whose fusion of unstated ferocity and formal...

Author: /time Magazine | Title: Art: Move Over, Darth Vader | 4/18/2005 | See Source »

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