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NEARLY half a century ago the modern art of Paris-the work of Picasso, Matisse, Brancusi et al.-was introduced to the U.S. at a Manhattan exhibition famed ever since as the 1913 "Armory Show." This summer the U.S. has sent to Europe a show of American abstract expressionist paintings that the sponsors consider, at last, the counterpart of the 1913 show. The abstract expressionists have made their impact on the U.S. art world (some collectors are willing to pay up to $30.000 for a drip painting by Jackson Pollock) and have already stirred up interest abroad (some European collectors...

Author: /time Magazine | Title: A Letter From The Publisher, Aug. 4, 1958 | 8/4/1958 | See Source »

...Manhattan's Knoedler Galleries are 29 sculptures with a vastly different intent. Paris Sculptor Etienne Hajdu, 50, born in Rumania of Hungarian parents, first approached his work under the inspiration of Abstractionists Fernand Leger and Brancusi. A wartime stint as a laborer in a Pyrenees marble quarry and an abrupt shift back to the position that "man is wonderful" gave him a new material and new goal...

Author: /time Magazine | Title: Art: In Bronze & Marble | 5/12/1958 | See Source »

...shock, would put it a little differently. On his way to Houston last week, where he will lecture the convention on "The Creative Act," he proclaimed: "Painting today is a Wall Street affair. When you make a business out of being a revolutionary, what are you? A crook. As Brancusi used to say, 'Art is a swindle...

Author: /time Magazine | Title: Art: THE BROTHERS | 4/8/1957 | See Source »

Died. Constantine Brancusi, 81, famed, bearded Rumanian sculptor whose polished bronze propeller-blade-like Bird in Space stirred a noisy controversy in 1926 when U.S. Customs officials tried to tax him for importing huge hunks of bronze "under the pretext of art"; of a heart attack; in Paris...

Author: /time Magazine | Title: Milestones, Mar. 25, 1957 | 3/25/1957 | See Source »

...story interior patio with a white marble island surrounded by a jet-fed black glass pool. A glass-sided stairway leading to the second floor is supported at pinpoints on a white Alabama marble cantilever protruding from a structural steel pillar that swells and tapers below like one of Brancusi's Endless Columns, expands above to become a wedge-shaped hanging wall. On the second floor the concave walls, sculptured columns and baffles-including one wall that stops just short of the floor- gently pull the gallerygoer from one painting to the next...

Author: /time Magazine | Title: Arts: Flowing Gallery | 2/4/1957 | See Source »

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