Search Details

Word: brancusi (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...Sculpture of the 20th Century" (TIME, Oct. 27), which also includes (indoors) such outstanding pieces as Rodin's St. John the Baptist, poised in mid-stride with arm upraised in beckoning command; a voluptuous Matisse nude and a light-as-air Degas dancer; less representational studies like Constantin Brancusi's shining, vertical Bird in Space and his monolithic marble Fish, which for all its solidity conveys a feeling of watery motion. The high quality of the show has helped keep the ticket-takers near the big glass doors busy all summer. Last week they were checking in more...

Author: /time Magazine | Title: Art: Oasis in Manhattan | 8/31/1953 | See Source »

Holes & Lumps. Ritchie's show begins with some of the early giants: Auguste Rodin's skin-smooth St. John the Baptist. with its supple lines and easy Renaissance grace; Arietide Maillol's pensive Mediterranean, heavier and thicker; Constantin Brancusi's early abstractions. All the abstractions of the '20s and '30s, says Ritchie, flowed out of the work and theory of those three men. Rodin used to say that sculpture was merely "the hole and the lump"; his admirers carried the idea to a ruthlessly literal conclusion...

Author: /time Magazine | Title: Art: Track Through the Jungle? | 10/27/1952 | See Source »

...John D. Rockefeller III can afford to experiment, since she keeps her modern art purchases in a guest house. The boldest of collectors, she is also the most reticent, and springs from rather than to the defense of her choices. Along with distinguished sculptures by such European moderns as Brancusi, Giacometti, Lipschitz and Marini, she buys the smear-technique abstractions of such avant-garde Manhattanites as Baziotes, Motherwell, Rothko and Tomlin. Her hand-dribbled Jackson Pollock (see cut) is appropriately small...

Author: /time Magazine | Title: Art: Rich Tastes | 8/27/1951 | See Source »

Amedeo Modigliani was handsome, sensual, tuberculous, and usually drunk. He hit Paris at 22, soon started a spree that death stopped in 1920, 14 years later. Sober hours he devoted to painting and a little sculpture. His artist friends, including Soutine, Brancusi and Utrillo, thought him great. His acquaintances thought him accursed. The police thought him a nuisance, closed his only one-man show because the nudes in it were so frankly sexy. The public never thought...

Author: /time Magazine | Title: Art: The Fast Way | 4/23/1951 | See Source »

...Brancusi, at 74, still labors in a Paris studio, squeezing out streamlined shapes that merely puzzle most people. To the unsympathetic eye, his Bird resembles a propeller blade, his Torso of a Young Man looks like a drainpipe, and his Sculpture for the Blind is strictly for the blind. Walter Arensberg has one of the most respectable explanations of Brancusi's work ever offered. Brancusi, he says, sculps what Plato had in mind by the idea of form: "Plato's 'idea' is the archetype from which the infinite forms of nature derive...

Author: /time Magazine | Title: Art: Bonanza for Philadelphia | 2/12/1951 | See Source »

Previous | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | Next