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Catholic if somewhat cursory, Miss Hoffman's chapters on great sculpture are aided by keenly chosen illustrations. Once a worshiping student of Rodin, she speaks with equal understanding of the intense simplifications of Brancusi. But her chief theme is the craft itself. Among other things, she describes in ingratiating detail: the processes of casting in bronze, techniques and mechanisms for making enlargements from a small model, tools, tempers and techniques for working in different types of stone, an orderly scheme for scrubbing a studio...

Author: /time Magazine | Title: Art: Carvers & Casters | 4/17/1939 | See Source »

...First to take advantage of the amendment was small, smart, grey-haired Peggy Guggenheim, daughter of the late copper Tycoon Benjamin Guggenheim and founder of a new London gallery cutely called "Guggenheim Jeune." For Guggenheim Jeune Director Peggy this month planned a knock-out exhibition of sculpture by Abstractionists Brancusi, Arp, Duchamp-Villon, Calder, Laurens. Pevsner. But she had reckoned without J. B. Manson. By the terms of the amended act. Mr. Manson was made the arbiter of whether any given piece of carving was a work of art (duty free) or not. After inspecting two samples by Constantin Brancusi...

Author: /time Magazine | Title: Art: Black-Outs | 4/25/1938 | See Source »

...Brancusi piece, entitled Sculpture for the Blind (see cut), was simply a large egg smoothly carved in marble and resting on a rough marble base. A blind person might find pleasure in feeling it. Hans Arp's rounded wood carving was called Sculpture Conjugate because his wife worked on it too. In defense of both, long, indignant letters began to uncurl in London newspapers. Director Guggenheim swore that she would pay the duty if necessary but the show must go on. Liberal members rose in the House of Commons and spoke haughtily of J. B. Manson. It may have...

Author: /time Magazine | Title: Art: Black-Outs | 4/25/1938 | See Source »

Upshot was that Mr. Manson reconsidered. Last week Brancusi's egg and Arp's shape rested, duty free, in the bright little gallery of Guggenheim Jeune. Meanwhile, sprightly J. B. Manson had regretfully announced his resignation, at 58, as director of the Tate Gallery. Said he: "My doctor has warned me that my nerves will not stand any further strain. ... I have begun to have blackouts, in which my actions become automatic. Sometimes these periods last several hours. . . . I had one of these blackouts at an official luncheon in Paris recently, and startled guests by suddenly crowing like...

Author: /time Magazine | Title: Art: Black-Outs | 4/25/1938 | See Source »

Especially fascinating to Cleveland visitors were the works of two famed European experimentalists, Spaniard Pablo Gargallo and Rumanian Constantin Brancusi. Gargallo, who died in 1934, was a blacksmith whose skill with metals helped him to do some of the most intricate abstractions in modern sculpture. His bronze, Prophet (see cut), was a figure constructed half of metal and half of empty space, as a piece of music is built of sound and silence. Brancusi's work was represented by a torso composed of three softly melting cylinders and a bust, Mile Pogany, showing the subject as geometry in meditation...

Author: /time Magazine | Title: Art: Carvers & Casters | 12/13/1937 | See Source »

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