Word: brando
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Dates: during 1980-1989
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...right one of these decades. In 1935 Mutiny on the Bounty unquestionably belonged to Charles Laughton's Captain Bligh. The perverse joy that grand actor took in his character's sadism entirely dominated Clark Gable's conventionally heroic Fletcher Christian. In 1962, when Marlon Brando came on board for a star trip, his Mr. Christian took the helm, dramatically speaking, long before his character, leading the mutineers, had seized it. Though Brando was chastised by critics for his excesses, there was something brave in his giddy decision to play the role as a mincing fop who warms...
...talented debauchery that often makes you want to vomit" as well as an "authentic moral and psychological Apocalypse." It will affirm the resurgence of one of the great talents of the age, one who had seemed, through the 1960s, to be erratically and sometimes disastrously in decline: Marlon Brando. Brando is already being touted as an Academy Award contender for his role in last year's The Godfather. Now his emotionally wrenching, coruscating performance as the protagonist of Tango fulfills all the promise he gave in the earlier film of regaining his old dominance, not only as an actor...
When South African Hotelier Solo mon Kerzner speaks, he comes across more like a New Jersey dockhand than a powerful executive. He talks machine gun-style, from the corner of his mouth, with an accent sounding a bit like Marlon Brando in On the Waterfront. Yet the former college boxer's pugnacious manner suits his controversial role in business. Kerzner, 48, is southern Africa's casino king. In a country so morally conservative that movie theaters are closed on Sundays and Playboy magazine is banned as the work of the devil, Kerzner has succeeded in assembling...
...collaborator in the renowned and innovative Mercury Theater. In 1955, when this third volume of his memoirs resumes, Houseman is about to rescue the American Shakespeare Festival at Stratford, Conn., after its wobbly first year. He has just finished a stint as a movie producer (Julius Caesar with Marlon Brando; Lust for Life with Kirk Douglas). He goes on to direct some of Playhouse 90's best episodes, then establishes a superior drama department at Lincoln Center's Juilliard School. Most of the time he is working by the light of at least one moon, directing an opera...
...organizational abilities were better appreciated on Broadway, where she produced A Streetcar Named Desire, among other plays. The New York stage chapters are perfunctory. Anecdotes, like Marlon Brando's fixing Tennessee Williams' plumbing, are sandwiched among routine theater business, tributes to friends and expressions of satisfaction. Missing are the two difficult men, father and former husband, who tempered the author's character and gave emotional texture to the earlier chapters. Having a life turn out well is a blessing, but conflict nearly always makes better copy than contentment. -By R.Z. Sheppard