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...power. "O.K.," he barks when they cross him, "from now on I do my business with the Chinese!" Sporting a cad's mustache and Walter Denton's whiny voice, Penn is a funny, harrowing wonder of energy. No other young actor so cunningly combines the mannerist danger of the Brando-De Niro school with the articulate assurance of a stand-up comic. Hutton is just as fine in a role that demands--and gets --caged heat, the taste of a soul gone sour, sanctity imploding into rage. He and Penn are the only compelling reasons to see a film that...

Author: /time Magazine | Title: Cinema: The Hardy Boys Turn Traitor the Falcon and the Snowman | 1/28/1985 | See Source »

...movie. That's what did it to us." Thirty years after Marlon Brando terrorized a small California town in The Wild One, his hooligan image has dogged motorcycle racing, says motocross expert Larry Maiern. "Most motorcyclists are thought of as being people who rob, loot, burn, rape and steal, and that just isn't true...

Author: By John F. Baughman, | Title: Letting the Good Times Roll | 7/31/1984 | See Source »

...gruff, tough persona that exuded phantom wisps of tenderness and set him quite apart. He was the most intriguing of the Saturday Night troupe even as he was demolishing a set with his samurai sword or gobbling up the scenery in impersonations that ran the gamut from Kissinger to Brando to Jake Blues, a perfect and loving parody of an oldtime soul...

Author: /time Magazine | Title: Show Business: Overdosing on Bad Dreams | 6/11/1984 | See Source »

...right one of these decades. In 1935 Mutiny on the Bounty unquestionably belonged to Charles Laughton's Captain Bligh. The perverse joy that grand actor took in his character's sadism entirely dominated Clark Gable's conventionally heroic Fletcher Christian. In 1962, when Marlon Brando came on board for a star trip, his Mr. Christian took the helm, dramatically speaking, long before his character, leading the mutineers, had seized it. Though Brando was chastised by critics for his excesses, there was something brave in his giddy decision to play the role as a mincing fop who warms...

Author: /time Magazine | Title: Cinema: What Becalms a Legend Most? | 5/7/1984 | See Source »

...talented debauchery that often makes you want to vomit" as well as an "authentic moral and psychological Apocalypse." It will affirm the resurgence of one of the great talents of the age, one who had seemed, through the 1960s, to be erratically and sometimes disastrously in decline: Marlon Brando. Brando is already being touted as an Academy Award contender for his role in last year's The Godfather. Now his emotionally wrenching, coruscating performance as the protagonist of Tango fulfills all the promise he gave in the earlier film of regaining his old dominance, not only as an actor...

Author: /time Magazine | Title: SHOW BUSINESS 1973: Portrait of a Sensualist: LAST TANGO IN PARIS | 10/5/1983 | See Source »

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