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...office are sometimes surprised to find him dressed in a bathrobe or riding britches, conducting an imaginary orchestra as a hi-fi system plays a favorite Verdi opera. He is also a Shakespeare buff who once spent an afternoon trading quotes from the Bard with Marlon Brando as the two worked out a custody settlement over Brando's child...

Author: /time Magazine | Title: Law: The Paladin of Paramours | 1/15/1979 | See Source »

...flock to a film because the studio says it's a hit, because Warner Brothers has the money to shove dolls, shirts, lunchboxes and ball-point pens into an already garish, mindless popular culture? John Williams has composed his worst and most blatantly derivative score, and among the actors, Brando is inexcusably wasted as Superman's father-saint, and Gene Hackman is embarrassing as the campy villain--is it possible that this once-gripping character actor has lost every drop of style he ever possessed, or was he just miscast in a role that cried out for a polished...

Author: NO WRITER ATTRIBUTED | Title: '50s Nostalgia and '70s Paranoia | 1/11/1979 | See Source »

...Rock and Roll emerged; for the first time black music and white music tentatively merged, a synthesis that gained tremendous popularity. The movies too, began to show some shift in outlook among the kids growing up in America. The confused, "unrespectable" heros portrayed on the screen by Dean and Brando were slowly becoming more admired than the incredibly cute, sweet, and superficial characters who inhabited the numberless Doris Day-type movies. Brando and Dean showed that there were some real problems in this country, that the closed society was leaving out many people who just couldn't fit in. Brando...

Author: By Tom Hines, | Title: Distorted Hindsight | 1/4/1979 | See Source »

...James Dean. Dean, who has survived in a few cryptic songs and three movies, does not seem to have made of an impact on the collective memory of the '50s, but at the time his impact on a generation of people growing up in America was quite strong. Like Brando, Dean's characters were vaguely discontented with the way things were in this country. But Dean spoke more specifically to the problems that adolescents faced in this country. In a nation where adolescence was seen as a peaceful prelude to adulthood and respectability. Dean's characters seemed to be saying...

Author: By Tom Hines, | Title: Distorted Hindsight | 1/4/1979 | See Source »

...those mini-cinies in your neighborhood mall. In New York it's only showing on a tiny screen next to the Plaza Hotel. Superman is coming, as everybody knows. I have little faith in director Richard Donner after The Omen, but it'll be good to have Brando back on the screen even if he's a bit blubbery and only on for a few minutes. I hear the approach is a little campy in places, and I'm not too eager to see Gene Hackman again after his Polish general (read with a hard 'g') in A Bridge...

Author: By David B. Edelstein, | Title: Christmas Movies | 12/8/1978 | See Source »

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