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...Brandon and Nicole Harden drew a poster together at school that captures the rough journey they have taken together this year. On one side is a picture of a skull with knives stabbing through it. "This is bad," they wrote, "so never have a bad holiday or a bad birthday or other bad days." On the flip side is a heart, a promise of better days...

Author: /time Magazine | Title: North Carolina: They're Home for Christmas | 12/30/1991 | See Source »

Motel life might have soured their souls. The children watched television all day, and slept on the floor or shared a single bed. They ate lunch meat from a cooler, or cooked fried chicken on some electric skillets and a hot plate they bought from a street person. Brandon once tripped over a shoe and burned his hand on hot oil in the skillet. He sobbed for an hour, but Tamey did not think the burn was bad enough to justify calling an ambulance. She was worried about the cost...

Author: /time Magazine | Title: North Carolina: They're Home for Christmas | 12/30/1991 | See Source »

...black strip," says Sarah Gillespie, director of comic art at United Feature Syndicate, which distributes Jump Start. But the favorable response to the breakthrough artists is having a ripple effect. Earlier this year, Gibson Greetings began marketing a line of cards featuring Armstrong's likable Joe and Marcy. Barbara Brandon is discussing plans with manufacturers to put her characters' faces on coffee mugs and T shirts. "Comic strips are the best visual barometer of the culture," says comics historian Jones. "They reveal the pulse and the heartbeat of what the country is about." Increasingly, the beat has some soul...

Author: /time Magazine | Title: Blondie, Meet Herb And Marcy | 11/25/1991 | See Source »

...Franklin, joined the Peanuts gang in 1968; the Afro-wearing Lieut. Flap became the resident militant in Beetle Bailey in 1970. Subsidiary characters popped up in other strips. The movement got an even more important boost when editors drafted black cartoonists and illustrators such as Morrie Turner and Brumsic Brandon Jr., Barbara's father, to create new strips like Wee Pals and Luther, in which blacks were the main characters...

Author: /time Magazine | Title: Blondie, Meet Herb And Marcy | 11/25/1991 | See Source »

...younger generation is far less conciliatory about making such changes. "The early complaint from the syndicates was that my strip was all women and it was black," says Barbara Brandon. Rather than alter her work, she waited two years until she found a syndicate that would let her do it her way. Now she routinely treats issues like color differences within the black community and the tensions that exist between black men and women...

Author: /time Magazine | Title: Blondie, Meet Herb And Marcy | 11/25/1991 | See Source »

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