Word: brandos
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Dates: during 1950-1959
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...business where money talks, Brando is now being hailed as "a real drag-'em-in big-tenner like nobody since Clark Gable." And his pictures have won loud, critical huzzahs as well as some stentorian box-office grosses. Last week Brando completed a seventh, Désirée, a film version of Annemarie Selinko's 1953 bestselling novel, in which he plays Napoleon. Twentieth Century-Fox boldly predicts that it may take in up to $10 million. "Two more like Brando," said one producer, "and television can crawl back in the tube...
Byron from Brooklyn. One like Brando, as a matter of fact, is more than Hollywood has been able to handle, or even figure out. The big studios, which are capable of taking endless pains to exploit either a valuable property or an eccentric personality, have not yet been able to answer the basic question: What is Brando, and what does he have that the U.S. public seems to want more...
...could hardly be conventional good looks. Brando has a nose that drips down his face, according to a make-up man, "like melted ice cream" (it caused him to flunk his first screen test ten years ago). But then again, as one fan tried to explain, he does have a kind of "lyric lunkishness-he looks like a Lord Byron from Brooklyn." Is sex appeal his secret? No doubt about it, said one producer: "He's a walking hormone factory." An exhibitor, musing about his own business, said: "He's everybody between 10 and 20 that comes into...
Nonsense, says Elia Kazan, who directed him in Streetcar and Waterfront. "Brando is just the best actor in the world today." Many experts agree. Not since John Barrymore first hauled on his buskins has a young actor's fire brought such a light to so many critics' eyes. Almost all his Broadway performances have won rave reviews ("our most memorable young actor"), and he has backed the cinema critics into the adjective bin. They have felt in Brando's acting a kind of abysmal reality that not even Barrymore, who in all technical respects...
...Slob. The realization that the public could go for an actor who was neither beautiful nor dumb shook Hollywood hard. Brando himself was even more of a shock. When he landed in town in 1950 to make The Men, Hollywood stood there with wide-open arms and a dazzling smile of welcome. But Brando, a sullen kid who went everywhere in blue jeans and a soiled T shirt, stubbornly resisted the town's professional charm. He snorted at the "funnies in satin Cadillacs" and told them precisely, in Miltonic periods of incomprehensible jive talk, what to do with their...