Word: brandos
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Dates: during 1980-1989
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Fundamentalist opinion to the contrary, Lewis was not Satan's satrap. Anxious middle-class parents, who saw him as an emissary from a netherworld that was nearer at hand -- trailer-park America -- were possibly a little closer to the truth. Like Presley, Dean and Brando, he was a figure partially shaped by a popular culture that in the '50s was learning to cater almost exclusively to kids and their need for rebel figures. But there was also an element of discomfiting truth in the message he sent. The thing about the young Jerry Lee was that he was all fecklessness...
Trying to knock down that so-called wisdom, Wheeler listed 92 actors and actresses -- everyone from Marlon Brando to Robert Redford, Jane Alexander to Susannah York -- who have portrayed homosexuals or lesbians and lived to tell about it. He might just as well have saved his money. Not only did his ad fail to produce a star, but Jon Pennell, the young actor who had been signed as the coach's lover, withdrew, deciding that he did not want the role...
...self-publicizing. Capote talked endlessly about "the difference between very good writing and true art" and left no doubt which he was serving up. To a considerable extent he was taken at his own estimation, though a large part of his writing (his 1957 New Yorker portrait of Marlon Brando is an overpraised example) was nothing more than good, smooth journalism. His pretense that the powerful and meticulously written In Cold Blood was something to be called a nonfiction novel demeaned both forms...
...rules of narrative film. Before the Revolution (1964) and The Conformist (1970) swooned with infatuation for radical politics and complex storytelling. With Last Tango in Paris (1972), Bertolucci looked to have conquered Hollywood on his own terms. Its desperate, soft-core sex and the voluptuous rankness of Marlon Brando's monologues stirred scandal wherever it played. While an Italian court was convicting Bertolucci, Brando and Co-Star Maria Schneider of obscenity, Tango was breaking U.S. box-office records for a foreign-language film...
...Motorcycling had a bad image prior to the 1960s--a marginal sort of image, perpetrated and supported by movies like the Marlon Brando film, 'The Wild One,'...about an alienated kid who confronted his hostility by being part of this motorcycle gang that goes into a small town and causes utter chaos," according to Booth. The Hell's Angels, a "notorious, infamous gang of outlaws who ride primarily Harley [motorcycles]," also contributed to this negative image of bikers...