Word: brandos
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...brass buttons on his uniform at an early gig and became an overnight hit in 1952 with his own CBS variety show. He won a Best Supporting Actor Oscar for his 1956 portrayal of a U.S. airman in a doomed romance with a Japanese woman in Sayonara, starring Marlon Brando. "I'm a little guy," Buttons once said, "and that's what I play all the time: a little guy and his troubles...
...Jackson allegedly paid Marlon Brando $1 million to attend one of his concerts and do a cameo in his video You Rock My World...
Using snippets of Marlon Brando's performance as Jor-El from the 1978 Super-man movie, in which Brando passes on the wisdom "The son becomes the father, and the father becomes the son," Singer establishes his own film's central relationship. It is not romantic, between Lois and Clark. It's familial--the bond of two sets of fathers and sons: Jor-El and Superman, then Superman and Jason. Each parent tells his child that he must surpass the old man's feats, improve on Dad's legend. Poignantly, this strength, this divinity, isolates Superman from Earth's humans...
...anchor is Lou Castel as the murderous epileptic. It’s a tough role, requiring complete intensity and detachment simultaneously; he makes the audience love and hate him without being able to lost sight of him. His character has a picture of a young Marlon Brando in his room; it’s an apt comparison. When the older brother—a picture of bourgeoisie smugness—brings the murder out socially, his detachment is reminiscent of Christian Bale’s performance in “American Psycho.” It?...
Something went gloriously awry when Elia Kazan staged Tennessee Williams' poetic parable of antique Southern illusions colliding with postwar urban brutishness. The young Marlon Brando made Stanley Kowalski a manifesto for sexual menace that defines American acting to this day. The 1951 film version, with Vivien Leigh as Blanche DuBois, restores equilibrium without neutering Brando--a great play revitalized. It's in a topflight pack of six Williams adaptations that includes chats with surviving co-stars, TIME critic Richard Schickel's Kazan documentary and an early, quirky Brando screen test...