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...noticed when I was 8 or 9 years old that the photographs were more pleasing and more beautiful than the photographs in the TV Guide or my mother's movie magazines. Vogue in the late '50s was a very sophisticated magazine, with photos by Diane Arbus, [Irving] Penn, Brassai, some of our great photographers...

Author: /time Magazine | Title: Patti Smith — Artistic Triple Threat | 3/26/2008 | See Source »

...exhibit combines the work of American photographers Hellen Levit, Robert Frank, Diane Arbus, Danny Lyon, Lee Friedlander, Roger Mertin, John Pfahl, and Garry Winogrand, as well as Hungarian photographer Brassai, that, taken together, visually chronicle a developing American sense of self from the 1930's to the late...

Author: By D. ROBERT Okada and Z. SAMUEL Podolsky, CRIMSON STAFF WRITERSS | Title: How the Other Half Lives: Photos with a Mission | 9/28/2001 | See Source »

...Photographs by Brassai (which, although taken in Paris, have probably been included in this collection simply because, for the purposes of description, they might as well have been taken in America) depict the moral bankruptcy and decadence of the 1930's in terms of space and the objects that occupy it. An opium pipe, a negligent smoker of that pipe, and the chaise lounge upon which she sleeps are the focal point of "An Opium Smoker Asleep," which simultaneously chronicles and criticizes the social norms of the 1930's Paris demimonde. Lighting is dark and the focus...

Author: By D. ROBERT Okada and Z. SAMUEL Podolsky, CRIMSON STAFF WRITERSS | Title: How the Other Half Lives: Photos with a Mission | 9/28/2001 | See Source »

...some extent, in their chronicling of the emptiness and shallowness of the early 20th century's beuorgeousie, Brassai's work can be seen as constituting a visual companion to such works as Eliot's "The Wasteland" and Fitzgerald's "The Great Gatsby...

Author: By D. ROBERT Okada and Z. SAMUEL Podolsky, CRIMSON STAFF WRITERSS | Title: How the Other Half Lives: Photos with a Mission | 9/28/2001 | See Source »

...groundbreaking shows that have put Houston on the map as a city where interesting things can get their start. A good deal of what we know about Josef Sudek, the lyrical Czech master, or Joel Sternfeld, the indispensable guide to the American scene in all its lustrous oddity, or Brassai, the celebrated chronicler of Paris at night, we know because of exhibitions that Tucker organized. "What I've always loved to do is to look at what hasn't already been hammered out," she says. "In art history all the major figures have been researched. But as a photography curator...

Author: /time Magazine | Title: Curator: The Exhibitionist | 9/17/2001 | See Source »

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