Word: brassed
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Palin hit back in her signature style. "Jerks," she said of her veiled foes. It was in keeping with the particular brand of brass that makes her, rawness aside, a plausible--perhaps formidable--future candidate. If any politician can survive the spectacle of sorting through her family's suitcases to determine which duds are legally hers (the rest are being returned to the GOP; imagine the bewildered staffer opening that package), it's Sarah...
...Obama had been elected the 44th president of the United States. The IOP crowd erupted into cheers and hugs, and people hoisted the Obama cut-out into the air and passed it around. Festivities spilled out into the Yard, where students congregated around the John Harvard statue. After a brass band played the National Anthem, the crowd broke out into impromptu chants of “O-bam-a” and “Yes We Can.” —Staff Writer Lauren D. Kiel can be reached at lkiel@fas.harvard.edu...
...sound of the assembly grew to a roar, the orchestra launched. The strings propelled the machine with driving triplets, and the entire ensemble shifted and swelled together as if impelled by an unrelenting force. The violins’ harmonics returned like a metallic wind, and the cellos and brass played a majestic theme with soaring eloquence. The united orchestra concluded the piece with a resounding, affirming chord. Igor Stravinsky’s “Symphony in Three Movements” was next, continuing the feeling of locomotion that “Flying Machine” had established. Despite shaky...
...There was particularly good communication between the wind chorale theme and the pizzicato accompaniment of the strings, which gave a sense of dance to the entire movement. The third movement, a joyous “Nutcracker”-esque march, is the emotional highlight of the symphony. Although the brass became a little overpowering, the movement ended so strongly that the crowd burst into premature applause. After a short smile from Levine to inform the audience of their mistake, the orchestra began the fourth movement, which is one of the most passionate laments in the orchestral repertoire. The recurring pleading...
...liberties with the tempo, stretching the lyrical themes. The orchestra always had direction and variance; turbulent peaks of speed and activity collapsed to lush, calm melodic sections. The English horn was especially strong, playing a famous second movement theme with purity and nuance. Occasional cracks in the winds and brass did not take away from the overall sense of fun and energy throughout.While Zander’s remarks were sometimes long and hyperbolic—throughout the three hour concert it was unclear if he enjoyed hearing the music or himself talk more—his mission is an admirable...