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...pique, then wisely filed away unmailed. His diaries, though intermittent, are no less revealing. In June 1945, as General Douglas MacArthur was closing in on the islands near Japan, Truman's entries foreshadow the bitter personal battles that lay ahead. He describes the general as "Mr. Prima Donna, Brass Hat Five Star MacArthur" in one entry and adds, "He's worse than the Cabots and the Lodges -- they at least talked to one another before they told God what...

Author: /time Magazine | Title: Essay: History Without Letters | 8/31/1987 | See Source »

According to his Marine lawyer, Bracy's interrogation and his eventual confession were shams. The lawyer, Lieut. Colonel Michael Powell, says NIS investigators have admitted altering their assessments of portions of Bracy's polygraph results from "nondeceptive" to "deceptive." (The Marine brass say the changes were merely "administrative.") Powell, an eleven-year corps veteran, insists that Bracy was ordered to sign an inaccurate summary of his statement without being allowed to read it. But when one of his interrogators then jumped up and shouted, "We've got ourselves another spy!" Bracy immediately denied saying anything of the kind. He also...

Author: /time Magazine | Title: Holes in A Spy Scandal | 7/20/1987 | See Source »

After the Sheffield sinking, U.S. Navy brass insisted that newly developed defensive systems would protect the rapidly growing American fleet from the sea skimmers. The Stark disaster has not changed that view. Former Navy Secretary John Lehman points out that although the Sheffield was destroyed by a single Exocet, the Stark, with a more durable superstructure and redundant protective systems, was hit by two missiles and still "sailed home under its own steam." Moreover, since the U.S. frigate was blindsided by a supposedly friendly plane, its defensive systems were never tested. "This is basically a weird exception," says Michael MccGwire...

Author: /time Magazine | Title: When Attackers Become Targets | 6/1/1987 | See Source »

...there is much that is evocative in the new work. In the preludic "Dawn" the themes gradually emerge and coalesce, blaze luminously and then recede. "Daylight" is a scurrying scherzo marked by buzzing strings, hiccuping brass and chattering woodwinds. The slow movement, "Dusk," is the work's emotional center, a lambent watercolor of uncommon beauty. After this, the finale comes as something of a letdown. The symphony's clear textures give way to a muddiness that cannot be entirely justified by the "Darkness" sobriquet. Harbison rejected his first draft as too light in mood, but the symphony now ends diffidently...

Author: /time Magazine | Title: Music: New Life for the Invalid | 6/1/1987 | See Source »

...says, "the computer is much more versatile. We can zoom in as close as we like; we can look at much more complicated structures. We can display the model on all sides and in different colors." In the old days he would often mark different atoms in his brass models with colored yarn -- which kept falling off. "The old methodology seems so cumbersome now, even laughable," he says. "It's like a dinosaur." Rossmann, who has also modeled other viruses, like the mengo virus, has gone on to produce the image of the site where an antiviral drug binds...

Author: /time Magazine | Title: Computers: Pictures Worth A Million Bytes | 5/18/1987 | See Source »

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