Word: brassuer
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Dates: during 1953-1953
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Fortunately, much of the movie needs no supplementary conversation. The pantomime of Jean-Louis Barrault is eloquent; the bluster, cunning, and charm of Pierre Brassuer is largely expression of hands, mouth, eyes and the intonations of voice; and the earthy beauty of Arletty defies description. It is Arletty, and my changing impressions of her throughout the movie, that I remember most vividly. For the first time in my experience, an actress who seemed plain at the beginning became more and more beautiful as the story wove its way to an ending, until I found myself not consciously seeing her physically...
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