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Common denominator of U. S. ceramists is whimsy. Sculpture at the show ranged from Viktor Schreckengost's Shadrach, Meshach, Abednego, three haloed Negroes smiling down at the flames, to Sascha Brastoff's boneless, bulbous, button-mouthed females, Emergence and Timid Maiden (see cut), who look like a pair of praying mantises. Ceramist Brastoff's figures, tastefully mounted on bases of grey velvet and satin, won a sculpture prize. Fit for the flossiest mantelpiece were such lively pieces as Annie Laurie Crawford's Dancers Martinique, Carl Walters' blue Hippopotamus...

Author: /time Magazine | Title: Art: Mantelpiece Art | 10/9/1939 | See Source »

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