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Frankly, the press release for Gideon's Crossing (ABC, Wednesdays, 10 p.m., starts in October) made us wince. "Ben Gideon is the voice of reason, empathy and wisdom...[He] treats the whole person, not just the illness." Is it Patch Adams: The Series? Nope. The Homicide team of Andre Braugher and producer Paul Attanasio has fashioned the most subtle, character-focused hospital drama since ABC euthanized Wonderland...

Author: /time Magazine | Title: Fall Preview: A Taste Of Autumn | 9/4/2000 | See Source »

...much red," intones former Detective Frank Pembleton (Andre Braugher), returning to his old Baltimore squadroom and spying the whiteboard. Red ink means open cases; black, solved. That is, red means lack of closure, as when NBC iced this humanistic cop drama unceremoniously last spring. Pembleton, Detective Tim Bayliss (Kyle Secor) and most of the series' diasporic crew investigate the shooting of Lieut. Al Giardello (Yaphet Kotto), now a mayoral candidate. The case is mostly pro forma, but its powerful yet tender epilogue writes Homicide's epitaph in emotionally satisfying black...

Author: /time Magazine | Title: Homicide: The Movie | 2/14/2000 | See Source »

Starring Andre Braugher, Rip Torn...

Author: By Stephen G. Henry, CRIMSON STAFF WRITER | Title: "Passing Glory" is No Southern Comfort | 2/26/1999 | See Source »

...verge of clenching the New Orleans colored city championship. They know, however, that their victory is not complete; Travis is determined to find out how they stack up against Jesuit, the best white team in the city. When the St. Augustine coach leaves suddenly, Father Verrett (Homicide's Andre Braugher) takes over as coach. A determined desegregationist from Baltimore, Verrett seizes on the idea of a game with Jesuit as a way to quicken the pace of reform in New Orleans...

Author: By Stephen G. Henry, CRIMSON STAFF WRITER | Title: "Passing Glory" is No Southern Comfort | 2/26/1999 | See Source »

Both Andre Braugher and Rip Torn deliver excellent performances as Verrett and Grant. Tension results between the two friends when they cannot agree on the best way to combat segregation. Verrett pursues equality with an almost reckless passion, while Grant still hopes to effect change through official channels. This same sort of tension is played out convincingly between Travis and his father, whose concern for Travis' safety makes him a constant check on his son's determined idealism...

Author: By Stephen G. Henry, CRIMSON STAFF WRITER | Title: "Passing Glory" is No Southern Comfort | 2/26/1999 | See Source »

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