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...those who say the terrorist attacks in London are a result of the war in Iraq, I ask: Would a U.N. endorsement of the war or the finding of weapons of mass destruction have made the slightest difference to the London bombers? Jacob Brauner London...

Author: /time Magazine | Title: Letters | 8/6/2005 | See Source »

...Motherway Manhattan Beach, California, U.S. For those who say the terrorist attacks in London are a result of the war in Iraq, I ask, Would a U.N. endorsement of the war or the finding of weapons of mass destruction have made the slightest difference to the London bombers? Jacob Brauner London The Iraq Effect In his viewpoint claiming that the Iraq war has not increased Muslim resentment of the U.S. [July 18], Charles Krauthammer stated that the U.S. will be blamed "whenever there is a terrorist attack anywhere in the world." It is true enough that the extreme radicals...

Author: /time Magazine | Title: Rush Hour Terror | 8/2/2005 | See Source »

...Germany, where he was once sued for punching a man who called him a "Jew kisser," he was an embarrassment to all those who knew something and did nothing. And because amnesia is the most convenient placebo for collective guilt, Schindler was essentially a nonperson. In the '70s Artur Brauner, a German Jew, tried to make a movie about Schindler but could not raise the money. Now, with the release of Spielberg's film and several documentaries on the subject, Schindler has become a strange kind of celebrity, gnawing from beyond the grave at Germany's restless conscience...

Author: /time Magazine | Title: Schindler Comes Home | 3/14/1994 | See Source »

...enrolled in the University of Santa Clara. Although he never graduated, his grades were good enough to get him into Loyola Law School in Los Angeles. But after a year there, he was drafted. He served as a counterintelligence agent in Germany, where he met his wife, Joan Brauner, a Czech refugee working for the U.S. Army...

Author: /time Magazine | Title: The Man with the President's Ear | 8/8/1983 | See Source »

...they got their language: how Gorky's spidery, fluent line emerged from Miro, how the bulging shapes of early de Kooning derive from '30s Picasso, what Rothko got from Max Ernst and Pollock from Kandinsky, and how deeply Adolph Gottlieb's pictographs were influenced by Victor Brauner. But that is perhaps of secondary importance. What counts most in this show is the spectacle of those obscure but desperately committed artists painting as though art had the power to change life, as though culture itself depended on their efforts: which...

Author: /time Magazine | Title: Art: The Tribal Style | 10/16/1978 | See Source »

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