Word: brava
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...Notte Brava (Ajace; Miller) wants to be a child's garden of dolce vita: a pretentious prologue announces that "this picture symbolizes the widespread immoral conduct prevalent among our young, presenting its facts with brutal significance." What the moviegoer actually gets is a fitfully funny knockabout with an ancient theme, the falling-out of thieves. Three young punks (Jean Claude Brialy, Laurent Terzieff, Franco Interlenghi) flap-foot about Rome, trying to sell some stolen guns (their fence is busy with a funeral), trying to cheat some prostitutes (the girls cheat them), trying to betray one another, trying to impress...
...when Chopin wintered there with piano and Mistress George Sand, Majorca was a Mediterranean Bali Ha'i far off the beaten tourist track. Since then, thanks to cut-rate package vacations and a climate even kindlier than Spain's Costa Brava, the island has become a kind of Costa Coney (436,000 visitors last year), where the local patois in peak season is more Cockney than Catalan...
...their compatriots swept in to join them, they leaped into Italy. On the Isle of Capri they met each other coming and going. They sneaked over to Portofino, but the word got out, and now it's finito. Then they established a beachhead in Spain-Majorca, the Costa Brava -but soon that old Henry James feeling set in again. They switched surreptitiously to Jamaica and the Virgin Islands, and got overrun before they could unpack...
...walked through the stage door of La Scala (she had vowed never to enter as a tourist) and made her debut, again in Aïda, without a single stage rehearsal. "After all," she says, "what's the problem? The Nile can only be upstage." The crowd shouted "Brava Leonessa!" Then, for the new opera house at the Salzburg Festival last summer, Von Karajan "had this big, fat, crackpot idea of my doing Donna Anna." Leontyne did it, and followed it by opening the Berlin Festival as soloist with the Berlin Philharmonic. By then the Met's Rudolf...
Handling her big, liquid soprano voice with faultless accuracy, Singer Price achieved an Aïda that was at once feline and tender, sweet and aggressive. She won bravas after her opening trio with Radames and Amneris (a place in the opera that has not drawn applause at La Scala in years), got many more ovations as she ranged effortlessly from finespun pianissimos to brilliantly ringing fortes. "Brava, Leonessa!" cried someone in the audience, while a second voice corrected: "She is more like a panther than a lioness." Said one critic: "Our great Verdi would have found her the ideal...