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What makes this film riskier than Braveheart or Gladiator, each of which did well commercially by anachronistically having its heroes fight and die for a form of modern democracy, is that Nathan Algren is battling for something that is somehow more personal and more abstract: a highly individual concept of honor. In the context of this very beautiful film, it is a struggle worth attending. --By Richard Schickel

Author: /time Magazine | Title: Found in Translation | 12/8/2003 | See Source »

...Slate continued until May of this year, but during that time, Connor’s work on film theory did not fall by the wayside. He wrote on Braveheart and the Vivendi-Universal merger, among other topics, for such journals as Representations, The Baffier...

Author: By Scoop A. Wasserstein, CONTRIBUTING WRITER | Title: Connor Brings New Life to VES Film Studies | 10/3/2003 | See Source »

...hilarious satire--in letters to Robin Williams and Danny DeVito begging them to look at scripts--to devastatingly painful accounts of Madeleine's decline. Robinson does both with the sad, sweet voice of experience, having been around the Hollywood track a few times--she has a producing credit on Braveheart--and having seen her sister through a terminal illness. "All your life you try to imagine what bad news sounds like," she writes, "but when you actually hear bad news, it simply makes no sense; it's like being told the definition of a black hole by a physicist, directions...

Author: /time Magazine | Title: Books: Her Sister's Keeper | 9/8/2003 | See Source »

...says Joel Silver, who has produced five Mel-odramas (four Lethal Weapons and a Conspiracy Theory). "What this man [Jesus] was doing was new; people felt threatened by it and wanted him gone. Well, Mel's taken this timeless story and made it feel contemporary, as he did with Braveheart...

Author: /time Magazine | Title: The Last Vexation Of Mel | 9/1/2003 | See Source »

Dean Devlin, co-producer of Gibson's Braveheart, is also passionate for The Passion. "I thought it was an amazingly powerful piece of work," he says. "I didn't find it in the least bit anti-Semitic, and I'm Jewish. In the film I saw, everybody turns against Christ. This film doesn't cast blame on anyone. It casts blame on everyone. The last thing Mel wanted was for anyone to try to use this to justify hatred...

Author: /time Magazine | Title: The Last Vexation Of Mel | 9/1/2003 | See Source »

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