Word: bravely
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Dates: during 1960-1969
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Lonely Are the Brave. Grim, stinking trailer trucks, the mechanistic behemoths of progress, thunder blindly along the highway. Near the white line dividing traffic, a high-strung horse skitters, rears and neighs in the kind of wild-eyed terror and anguish that Picasso gives to the horse in Guernica. The symbolic question is clear: Is the untamed free spirit an outlaw that must learn to toe the white lines of the modern world or perish...
Like Ride the High Country, Lonely Are the Brave is about a Westerner whom civilization has made an anachronism. The film is a western in spirit and setting but not in theme. Kirk Douglas plays a weatherbeaten cowpoke with mighty few cows left to poke. He is a loner, a maverick with a fence complex: he sees fences everywhere and hates them always. When he finds that an old pal is behind one-in jail-Douglas gets drunk, tangles with a barroom psycho, and manages to be thrown into the same hoosegow. He proposes to hacksaw some time...
Merrill's Marauders, in its quiet, under-keyed way, keens a dirge of arms and the brave men who bore them in the suffocating jungle warfare behind the Japanese lines in Burma...
Sadoveanu's curiously dated writing style is most evident in Tales of War. Amidst a "hail of lead" and the "yelp" of guns, an army of "brave lads" heroically helps Rumania throw off the Turkish yoke. The time is 1877. All the soldiers talk like British guards officers. Yet Sadoveanu sometimes had the writing skill to make compelling even quite traditional reactions to old-fashioned war: soldiers' delight in a battlefront feast on stolen turkey; a young sergeant's awe at the presence of a beautiful woman in the convalescent hospital; the guilty confusion of victorious troopers...
...TIME sure wept for the brave bulls...