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Word: bravura (lookup in dictionary) (lookup stats)
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JIMMY SHINE. Playwright Murray Schisgal has created a totally transparent character; to see him once is to know him totally. What makes Jimmy more winning than his fate is Dustin Hoffman's bravura performance as the luckless misadventurer...

Author: /time Magazine | Title: Television: Jan. 31, 1969 | 1/31/1969 | See Source »

JIMMY SHINE is an attempt at an inner journey by Playwright Murray Schisgal. The trouble is that the trip leads to nowhere. Jimmy Shine is a transparent character. What makes him a winning loser is Dustin Hoffman's bravura performance. Hoffman takes thimblefuls of humor, absurdity, poignance, honesty, desire and passion and drains them as if they were foaming goblets of dramatic life...

Author: /time Magazine | Title: Television: Dec. 27, 1968 | 12/27/1968 | See Source »

JIMMY SHINE is an attempt at an inner journey by Author Murray Schisgal. The trouble is that it doesn't go anywhere. Jimmy Shine is a transparent character; to see him once is to know him totally. What makes him a winning loser is Dustin Hoffman's bravura performance. Hoffman takes thimblefuls of humor, absurdity, poignance, honesty, desire and passion and drains them as if they were foaming crystal goblets of dramatic life...

Author: /time Magazine | Title: Television: Dec. 20, 1968 | 12/20/1968 | See Source »

Vibrant Presence. What makes Jim my more winning than his fate is Dustin Hoffman's bravura performance. It should not be confused with acting. Hoffman does not begin to submerge his identity in the role, which is an essential of great acting. He simply projects the vibrancy of his own presence. He looks the way Buster Keaton may have as a child-and like a child, he loves to show off and mimic. He is so obviously pleased with himself when he apes Groucho Marx's loping stance or speaks with W. C. Fields' adenoidal sneer that...

Author: /time Magazine | Title: Theater: Urban Picaresque | 12/13/1968 | See Source »

...need not worry about his new album. Cliburn's natural equipment is just right for Chopin. He has a powerful and precise technique, a gift for tracing long, soaring lines out of detailed figurations, and an innately tasteful musicality that spurns either maudlin moonbeams or brittle bravura. He puts it all to work in the Byronic B-Minor Third Sonata, playing with dash, sweep and refined lyricism. His performance of the Second, in B-flat minor, offers something more. Although not the performance of a mellow master like Rubinstein, it displays a subtle feeling for the shifting, subterranean currents...

Author: /time Magazine | Title: Pianists: The Artist as Culture Hero | 11/22/1968 | See Source »

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