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Word: brawl (lookup in dictionary) (lookup stats)
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...plays a magazine writer named Bill Denny, separated from his wife, living out a drifting fantasy of risk and destruction. He hooks up with Gould at a Vegas poker parlor, and the two of them get their small winnings beaten out of them in a fast parking-lot brawl. From then on they become accomplices in misfortune. Gould inhabits some sort of foggy half-world of the hard scuffle, keeping company with a couple of soft-core hookers who serve beer and Fruit Loops for breakfast. Segal likes the style, likes the dead-end quality of the life...

Author: /time Magazine | Title: Cinema: The Gamblers | 9/2/1974 | See Source »

...proved in Klute, Pakula has a restless eye for the banalities of daily life that gives the picture a richer texture than is usual in this genre. Early on, the film offers some promise. There is a brisk barroom brawl and a short car chase that is more smartly handled than these maneuvers usually are. But there is no way to build an overparanoid thriller or to provide a satisfactory ending. If the hero can break the conspiracy unaided, it cannot be much of a conspiracy. If, on the other hand, the conspiracy is all powerful, then the audience...

Author: /time Magazine | Title: Cinema: Paranoid Thriller | 7/8/1974 | See Source »

Smarting from three consecutive losses, the Bruins came out and beat the Flyers at their own game in a virtual brawl...

Author: NO WRITER ATTRIBUTED | Title: Resurrected Bruins Whip Flyers, 5-1 | 5/17/1974 | See Source »

...threatens to become too capricious (Raquel Welch as the Queen's confidante, Faye Dunaway as the archvillainess, Charlton Heston as Richelieu), Lester exploits the absurdity. He made the discovery, for example, that Welch and Dunaway, for all their physical dissimilarity, are basically the same actress. So a climactic brawl between them is funny not just for itself but because of the two people playing them...

Author: /time Magazine | Title: Cinema: One for All | 3/25/1974 | See Source »

...Still, the scene in which everyone is grouped around the old chuck wagon enjoying a good old-fashioned bean supper is in itself a high point in the short history of screen scatology. Even more flamboyant is the ending in which the entire cast, engaged in a classic western brawl, breaks through the wall of an adjoining sound stage, where a campy musical-tails, top hats and lots of white platforms-is being shot. In the ensuing effeminate uproar, hearty Slim Pickens punches out the jodhpur-clad director of the film next door, while Cleavon Little ducks out to Grauman...

Author: /time Magazine | Title: Cinema: Hi-Ho, Mel | 3/4/1974 | See Source »

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